museo del gioiello

The program of the Jewelery Museum

The 2024 program of the Vicenza Jewelery Museum begins with the cycle of guided visits to the Pop Beat Italia 1960-1979 exhibition. The visits to the rooms of the Palladian Basilica are entitled The jewel of the sixties and seventies: free to create. At the centre, the jewelery materials in that period of great creative freedom, with the phenomenon of bijou and artistic jewellery, of which the Padua school is an example. The visits will take place on Sunday afternoons between 4.30pm and 6.00pm, on 24 March, 28 April, 26 May and 30 June (to be booked). Reduced price for all visitors who show the exhibition ticket in the Basilica and discounts for residents of Vicenza and the province. The museum is the first in Italy dedicated exclusively to goldsmith and jewelery art.

Corona della Madonna di Monte Berico
Crown of the Madonna of Monte Berico

In May the program also includes a series of visits organized with the Diocesan Museum of Vicenza to learn about the jewels of sacred art that are the city’s heritage: the crown and pectoral of the Madonna of Monte Berico, patron saint of Vicenza, two masterpieces of the goldsmith’s art Vicenza made in 1900 starting from pre-existing jewels of great value, donated as a sign of devotion by the families of the capital. The visits are scheduled for Sunday 5 and 19 May, at 10am, starting from the Diocesan Museum, where it will be possible to admire the treasures that inspired the two creations: the Reliquary of the Holy Thorn (13th-19th century), the Chalice of the church of Santa Corona (17th century), and the Processional Cross of the Cathedral (15th century) curated by the educational services of the Diocesan Museum of Vicenza. The group will then move to the nearby Jewelery Museum to admire the crown and pectoral, with expert commentary from Stefano Soprana, who oversaw its restoration, owner of the historic Soprana jewelery shop, located under the Palladian Basilica, where the master’s workshop once stood Angelo Marangoni, who originally created the two works.
Attività didattiche e laboratori per bambini
Educational activities and workshops for children

Educational activities and workshops for all ages continue in 2024, to explore the jewelery design and creation process. Three workshops are planned for families: on Saturday 30 March everyone will discover the mysteries of stones with the interactive meeting Minerals: precious materials, on Sunday 28 April it will be the turn of My precious mosaic, while on Sunday 26 May the Eco workshop will be held -jewellery, centered on the theme of recycling and reused materials.
For adults who wish to try their hand at creating jewellery, four workshops are scheduled with the goldsmith designer Barbara Uderzo, whose jewels have been exhibited in international art galleries and museums, such as La Triennale di Milano, the Museum of Decorative Arts in Berlin , the Victoria & Albert Museum in London. The meetings, all on Sunday, will be dedicated to the different expressions of jewellery: on 23 March the workshop Repeating and joining: from the module to the necklace, on 14 April Weaving and riveting: from the metal wire to the ring, on 12 May Shaping and riveting : give shape to your bracelet and on June 23rd Fold, thread, tie: make your earrings with the colors of summer. The Jewelery Museum also participates in the Night of the Museums, Saturday 18 May, with dedicated activities.
Workshop, Museo del Gioiello
Workshop, Museo del Gioiello

At the Museo del Gioiello also Ancient Egypt for children




Jewels not to wear, but to look at. Historical, iconic, mythical jewels. These are those exhibited in Vicenza at the Museo del Gioiello, which in 2022 more than doubled the number of tickets sold compared to the pre-pandemic period: +134% compared to the admissions recorded in 2019. The museum project is managed by the Italian Exhibition Group (the company that organizes Vicenzaoro) in partnership with the Municipality of Vicenza.

Amuleto Occhio di Horo
Amuleto Occhio di Horo

The museum is also the first in Italy and one of the few in the world dedicated exclusively to jewellery, where pieces of great Maisons are exhibited, but also those linked to temporary exhibitions, such as the recent Jewels and amulets. Beauty in Ancient Egypt (continues until 7 May), which also includes a series of educational events particularly dedicated to the world of children (info by clicking here, mail to info @museodelgioiello.it). Children aged 5 to 12 can enter the Museum for free, while the fee for participating in the workshops will be 4.50 euros. The entry fee for adults is 10.00 euros (5.00 euros if resident in Vicenza and its province), 4.50 euros for the laboratory.
Esterno del Museo del Gioiello a Vicenza
Esterno del Museo del Gioiello a Vicenza







The jewels of ancient Egypt in Vicenza




Ancient Egyptian women also wore bracelets, necklaces and rings, which were often associated with amulets. Now some of the jewels of that culture that continues to fascinate after thousands of years are collected in an exhibition (from 23 December 2022 to 7 May 2023) at the Museo del Gioiello in Vicenza. In the halls of the museum, the exhibition displays scarabs, lotus flowers or the typical eye of Horus in the form of an amulet, terracotta necklaces and bracelets, strings of pearls and ivory rings, seals with the name of the pharaoh. They are jewels that were commonly used, as evidenced by paintings, reliefs and the analysis of the equipment of some mummies. In short, the ancient Egyptians were just as vain as humans are today.

Amuleto Occhio di Horo
Amuleto Occhio di Horo

And the exhibition entitled Jewels and Amulets. Beauty in Ancient Egypt, curated by the director of the Egyptian Museum of Turin, Christian Greco, with the collaboration of the museum curators Paolo Marini and Cédric Gobeil, is an interesting opportunity to discover the taste of that era for jewelry. The museum space, managed by the Italian Exhibition Group (the company that organizes Vicenzaoro) together with the Municipality of Vicenza is located inside the Basilica Palladiana, in the city center, and usually houses a permanent exhibition with jewels that have made history, as well as to temporary events.

Interno del Museo del Gioiello
Interno del Museo del Gioiello

Visiting hours of the Jewelery Museum
from Tuesday to Friday from 10:00 to 13:00 and from 15:00 to 18:00
Saturday and Sunday from 10:00 to 18:00.
www.museodelgioiello.it

Un'immagine della mostra al Museo del Gioiello
Un’immagine della mostra al Museo del Gioiello

Locandina della mostra Gioielli e amuleti. La bellezza nell’Antico Egitto
Locandina della mostra Gioielli e amuleti. La bellezza nell’Antico Egitto

L'esposizione permanente al Museo del Gioiello di Vicenza
L’esposizione permanente al Museo del Gioiello di Vicenza

Maschera funeraria esposta al Museo Egizio di Torino, dettaglio
Maschera funeraria esposta al Museo Egizio di Torino, dettaglio






The Vicenza Jewelery Museum reopens to the public




After the pandemic closure period, the Vicenza Jewelery Museum reopens. The Museum has now been reopened. Inside the Palladian Basilica, which houses the museum, it will be possible to visit live for the first time the permanent exhibition Una Storia Italiana, inaugurated online last December 15 and so far available in digital format on the website.

L'esposizione permanente al Museo del Gioiello di Vicenza
L’esposizione permanente al Museo del Gioiello di Vicenza

For the fourth edition, the museum site leaves its mutant guise to become a permanent museum dedicated to Made in Italy jewelery. Maintaining pluralism as a key to interpretation, the Museum adds another level of interpretation concerning the Italian territory, in terms of creativity and manufacturing. The nine rooms highlight the high craftsmanship of the goldsmith houses, the great goldsmith artists, the protagonists of fashion jewelery, the designers, the excellences characterized by techniques and materials typical of Made in Italy: from coral to filigree, from micromosaic to stone lava and the scenarios of the future. Visitors will be able to find Italian excellence between tradition and modernity, the beautiful and well-made that, even today, is the hallmark of national production.
Alba Cappellieri, director of the Jewelery Museum

Alba Cappellieri
Alba Cappellieri

The museum space of Italian Exhibition Group (the company that organizes Vicenzaoro), managed in collaboration with the Municipality of Vicenza, has officially entered the circuit of museum and monumental locations in the historic center since 2019, which can be visited with a single ticket. Vicenza Card. To access the Jewelery Museum it will be necessary to show the Green Pass. Reservation is not compulsory.

Francesco Rucco
Francesco Rucco

Con mucho gusto a

I am particularly pleased with the reopening of the Jewelery Museum. I have personally committed myself to reach this milestone that allows us to enrich the already wide offer of the city museum circuit that is giving us so much satisfaction in this summer 2021, both in terms of tourist presences and in terms of income from entrance tickets. An extra piece that enriches the large project we are carrying out for the candidacy of Vicenza as the Italian capital of culture for 2024. I thank the president of Ieg, the director of the museum and all those who have worked to achieve this important result.
Francesco Rucco, mayor of Vicenza

Lorenzo Cagnoni
Lorenzo Cagnoni

With great pleasure we announce the reopening to the public of the Jewelery Museum, the only example in Italy and among the few in the world of this kind, which over the years has been able to establish itself as a narrative center of gravity and enhancement of the cultural universe of goldsmithing and jewelry store. Born in the city of Palladio, a place of undisputed artistic and cultural value as well as one of the most important manufacturing districts in the world, the museum celebrates the Vicenza goldsmith tradition and its artisan and entrepreneurial heritage. A museum for everyone and everyone, which through a common effort and shared planning with the municipal administration of Vicenza conveys contents of absolute value for the local economy and for the community.

Gianmaria Buccellati, Collana Foglie d'autunno, 1996
Gianmaria Buccellati, Collana Foglie d’autunno, 1996
Interno del Museo del Gioiello
Interno del Museo del Gioiello
L'esposizione al Museo del Gioiello
L’esposizione al Museo del Gioiello






Titanic Margherita Burgener

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Handcrafted and high jewelry, made in Italy: it is that of Margherita Burgener, admired and appreciated all over the world, also thanks to the precious use of titanium ♦ ︎

The passion of Margherita Burgener for jewelry begins in the atelier of her future husband, in Valenza: in the homeland of high Italian jewelry, Burgener discovers precious stones and jewelery making. Then she begins to approach to jewelry design and since her first creation in 2003 has never stopped. Today her unique pieces are beaten in Important Jewels auctions at Sotheby’s, Christie’s and Bonhams, while from 2011 she draws small limited edition collections. Yellow gold, white, red or pink shades, are the chromatic base to exalt shapes and stones, but she also likes to experience new materials such as titanium. In fact, features such as light weight and ability to create a wide range of color shades make it one of his favorite metal.

Orecchini in titanio, zaffiri rosa e diamanti
Orecchini in titanio, zaffiri rosa e diamanti

And of titanium are the iridescent shades petals with topaz and diamond brooch that appeared on the cover of the exhibition catalog Skin: the surface of the jewel. The show of the Jewel Museum in Vicenza, inaugurated two years ago on the occasion of VicenzaOro fair. A skin to look and if you can to touch. Matilde de Bounvilles

Anello Big Flower con oro bianco e argento, rubini, zaffiri rosa e diamanti
Anello Big Flower con oro bianco e argento, rubini, zaffiri rosa e diamanti
Orecchini con giada, cromo diopside e diamanti
Orecchini con giada, cromo diopside e diamanti
Orecchini con giada e diamanti
Orecchini con giada e diamanti
Orecchini con acquamarina e diamanti
Orecchini con acquamarina e diamanti
Anello in titanio, oro bianco e tsavorite
Anello in titanio, oro bianco e tsavorite
Orecchini in titanio, tormaline rosa e diamanti
Orecchini in titanio, tormaline rosa e diamanti






Online visits to the Jewelery Museum




Visiting an online museum is nothing new, but it has become a must in times of pandemics. This is why the Vicenza Jewelery Museum proposes the itinerary entitled «An Italian story» through the web. The Jewelery Museum is a space dedicated to the world of jewelry. It was inaugurated in 2015 and is managed by Italian Exhibition Group (the company that organizes Vicenzaoro) in collaboration with the Municipality of Vicenza. The inauguration of the new route is scheduled for Tuesday 15 December at 6 pm, live on the museum website.

Gianmaria Buccellati, collana Foglie d'autunno,  1996, in oro e ametista
Gianmaria Buccellati, collana Foglie d’autunno, 1996, in oro e ametista

The new edition of the itinerary is entrusted to the presentation of the director, Alba Cappellieri, and to Marco Carniello, group brand director Jewelery & Fashion of Ieg. The jewels on display were selected by a scientific committee that involved the main districts of Vicenza, Valenza, Arezzo and Torre del Greco for the first time: The pieces arranged inside the venue, the rooms inside the Basilica Palladiana, they can then be visited online. After the health emergency, of course, normal direct visits will resume. For now, however, you can visit the settings of the nine thematic rooms, Symbol, Magic, Function, Beauty, Art, Fashion, Design, Icons and the Future, online.
Interno del Museo del Gioiello
Interno del Museo del Gioiello

Museo del Gioiello di Vicenza
Museo del Gioiello di Vicenza

Alba Cappelieri
Alba Cappelieri







Ruudt Peters at the Museo del Gioiello





The artist-designer Ruudt Peters at the Museo del Gioiello di Vicenza in the exhibition Bron ♦

Ruudt Peters, Dutch, is a jewelry designer, sculptor, visual artist. He attended the Gerrit Rietveld Academie in Amsterdam and in 1973 he founded the Galerie Ekster in Leeuwarden. He has also taught at numerous European academies and, in Italy, he has been a lecturer at Alchimia – Florence Contemporary Jewelery School. Now go up the highest step: until September 22nd his works will be in the Spazio Off of the Museo del Gioiello, in Vicenza, in the exhibition entitled Bron, word that means source.

Ruudt Peters, Massa confusa
Ruudt Peters, Massa confusa

The space managed by Italian Exhibition Group offers an overview of the artist’s work, from the early seventies to the most recent creations arising from the exploration of different cultures, customs and habits. A multimedia installation offers the possibility to discover in depth his work through short films activated by QR code.

Un pezzo della mostra Bron
Un pezzo della mostra Bron

“All my jewels are interconnected and flow from a flow of events and various sources of inspiration. Cause and effect. Action-reaction. Fall and get up. Uncertainty. Discovery. Curiosity. This set constitutes the Bron exhibition, which not only offers an overview of my work but also explores my sources of inspiration, “explains Peters.
“Ruudt Peters is one of the masters of contemporary jewelery,” comments the Director of the Museo del Gioiello Alba Cappellieri. “Through his work the Museum confirms his pluralistic approach by including multiple visions on the jewel”.

Opening hours of the Museo del Gioiello
from Tuesday to Friday from 15.00 to 19.00;
Saturday and Sunday from 11.00 to 19.00.
Tickets: full 8 euros, reduced 6 euros





Un pezzo della mostra Bron
Un pezzo della mostra Bron

Ruudt Peters
Ruudt Peters
Museo del Gioiello Vicenza esterno
Il Museo del Gioiello a Vicenza
Interno della mostra Bron al Museo di Vicenza
Interno della mostra Bron al Museo di Vicenza

La mostra Bron al Museo di Vicenza
La mostra Bron al Museo di Vicenza







Third life for the Jewelery Museum





The Vicenza Jewelery Museum is renewed with the third exhibition curated by Alba Cappellieri. Here’s how it will be ♦ ︎

It was nice, it will be even more. After four years the Vicenza Jewel Museum housed inside the Basilica Palladiana is renewed. But it is not a surprise: the permanent exhibition, in fact, was born with the idea of a continuous renewal of exposed jewels.
The museum, an initiative of the Italian Exhibition Group Spa in partnership with the City of Vicenza, offers the public an exhibition of 310 unique pieces, many of which belong to private collections, which are generally not accessible to the public or operators in the sector.

Bulgari, collana Flora,  High Jewellery 2013.  Oro rosa, 60 zaffiri fancy color, diamanti tondi taglio brillante, pavé di diamanti
Bulgari, collana Flora, High Jewellery 2013.
Oro rosa, 60 zaffiri fancy color, diamanti tondi taglio brillante, pavé di diamanti

The jewels are given to the museum for two years. Now it’s the turn of the third edition, which opens on December 14th and will be open until the end of 2020.

The Jewelery Museum is directed by Alba Cappellieri, Professor of Jewelery Design at the Milan Polytechnic, as well as the leading jeweler in Italy. Lots of news that jewel lovers can admire. Like the Bulgari Flora High Jewelery necklace. “I chose this extraordinary object because it is a tribute to Italian manufacture and beauty. Bulgari is inspired by the paintings by Sandro Botticelli, whose eternal grace reverberates in this precious and delicate floral bouquet and the splendid manufacture exalts the Italian artisan ability “, explains Cappellieri.
The exhibition path winds through nine rooms, each of which has a different meaning of the jewel, in a pluralism of contents, eras, geographies and origins.
They are the jewel as Symbol, Magic, Function, Beauty, Art, Fashion, Design, Icons and Future, each, in the new edition, entrusted to an internationally renowned curator who has interpreted the meaning through precious and extraordinary beauty and priceless value.
Pascale Lepeu, director of the Cartier collection for over 30 years, has chosen the Symbol Room, which houses extraordinary jewels capable of telling the symbolic power of the ornaments. Symbol of power, wealth, religion, royalty, craftsmanship.
Cristina Boschetti, archaeologist, expert in artistic productions of the Hellenistic and Roman Mediterranean, has instead entrusted the Magic Room: amulets and protective talismans, propitiatory jewelry to ward off evil influences. For the Function Room Massimo Vidale, professor of Archeology at the University of Padua, was chosen to focus on the communication function of the jewel. From the jewels of the warriors of different cultures, to the rings and pendants used by the rappers.

Alba Cappelieri
Alba Cappelieri

The interpretation of the Beauty Room is curated by Patrizia di Carrobio, an expert in diamonds. For her, jewels transfer beauty to those who admire them. The theme is the game, in a fascinating mix of values, where high jewelry mixes with fashion jewelry. The Art Room was entrusted to Marie-José van den Hout, the Dutch gallery owner, founder of the Marzee gallery. The theme is gold and the story unfolds through the processes of experimentation of international artists, who have not been afraid to bring creativity and experimentation to the limit, obtaining surprising results.

In the Fashion Room, curated by Chichi Meroni, creative soul of the Arabesque Cult Store in Milan, there are bijoux created for fashion in the twenties and eighties, while the Sala Design has been curated by Alba Cappellieri with a selection dedicated to designers who have not explored other products that were not the jewel.
The Sala Icone is curated by Gabriele and Emanuele Pennisi, antique dealers in Milan specialized in antique jewelry: it hosts masterpieces from the past between the seventeenth and twentieth centuries, icons of their times: from the nineteenth century frames to the admirable manufacture of enamel jewels, seals and portraits of famous people. The last room, dedicated to the theme of the Future, was curated by Olga Noronha, international fashion designer: from digital jewelry that modifies the body to invisible jewels that are grafted under the skin, from therapeutic jewels to home made jewels that can self-produce.





Queen Maria of Serbia's tiara. Van Cleef and Arpels, 1949 White gold, silver, diamonds, fake emerald (glass)
Queen Maria of Serbia’s tiara. Van Cleef and Arpels, 1949
White gold, silver, diamonds, fake emerald (glass)

Marcel Boucher, Sonia,  Linea Ballet of Jewels, 1950, Usa. Metallo dorato, strass blu e bianchi
Marcel Boucher, Sonia, Linea Ballet of Jewels, 1950, Usa. Metallo dorato, strass blu e bianchi
Una sala della Basilica Palladiana
Una sala della Basilica Palladiana
Interno del Museo del Gioiello
Interno del Museo del Gioiello

Alba Cappelieri in una sala del Museo del Gioiello
Alba Cappelieri in una sala del Museo del Gioiello







Power & Jewels, an exhibition discovers the intertwining





The symbols of power: tiaras and crowns in an exhibition at the Museo del Gioiello in Vicenza ♦ ︎

Not only do jewels serve to emphasize the wearer’s body, they not only show the taste of those who choose them and not only are an index of wealth. They are also, on some occasions, symbols of power. Like tiaras and crowns, medals and brooches, rings and tiaras. The new exhibition at the Museo del Gioiello in Vicenza, inside the Basilica Palladiana, is dedicated to them, to the jewels of power. The museum is the first in Italy and one of the few in the world dedicated exclusively to jewelery and is managed by Italian Exhibition Group (a company that also organizes VicenzaOro) in partnership with the City of Vicenza.

Tiara della collezione Ballarino Cavour
Tiara della collezione Ballarino Cavour

The new temporary exhibition is titled The Jewels of Power: Crown and Tiaras and is curated by Alessandra Possamai (22 September-17 March 2019).

Under the display cases there is a careful selection of crowns and tiaras from different times and contexts, from high fashion jewelery to fashion. “The exhibition represents an excursus between the crowns and tiaras of the past and the present, and focuses on what they are and what they have been. A real leap in the taste and style of different eras through works by great artists “, explains the curator, Alessandra Possamai. “A world of creative interest, a testing ground for goldsmiths and contemporary designers. The precious artifacts protagonists of the exhibition are a sign of the excellence of the goldsmith’s art, characterized by attention to detail and quality of work, which has made Made in Italy great in the world “.
“Fashion has always been absorbing and giving birth to strong iconic values ​​and crowns are powerful inspirations for their immediate and universal symbolism. We are very proud of this new temporary exhibition: Alessandra Possamai has been able to weave different times and contexts, presenting crowns and tiaras from high jewelery to fashion, confirming and expanding the pluralistic and inclusive spirit of the Jewelery Museum “, adds Alba Cappellieri, director of Jewelery Museum.




Corona, 2018, in oro, argento, diamanti taglio rosa, corallo rubrum. Collezione dell'autore Platimiro Fiorenza
Corona, 2018, in oro, argento, diamanti taglio rosa, corallo rubrum. Collezione dell’autore Platimiro Fiorenza

Corona, 1986. Realizzata per la parte di Re Oaudio in Amleto interpretato da Alain Batas, riduzione cinematografica di Franco Zeffirelli. Lastra in argento sbalzata a mano con pietre dure. Archivio Gerardo Sacco
Corona, 1986. Realizzata per la parte di Re Oaudio in Amleto interpretato da Alain Batas, riduzione cinematografica di Franco Zeffirelli. Lastra in argento sbalzata a mano con pietre dure. Archivio Gerardo Sacco







Gio’ Pomodoro’s jewels in Vicenza





Gio’ Pomodoro’s jewels: wearable sculptures at the Vicenza Museum ♦ ︎
If you go on a trip to Vicenza, until September 2 you can combine jewelry and sculpture art. The Museo del Gioiello in Vicenza, inside the Basilica Palladiana, run by Italian Exhibition Group together with the City of Vicenza, dedicates a special exhibition to the sculptor Gio ‘Pomodoro (1930-2002). Because, obviously, the sculptures on display are goldsmith’s works. The exhibition is titled The Jewels of Gio ‘Pomodoro: the sign and the ornament, and is curated by Paola Stroppiana. The exhibition dedicated to the goldsmith, engraver, sculptor and set designer, takes place 16 years after his death. The exhibition is an opportunity for a reflection on the jewel of an artist, not just an ornament but also a creation that lives independently. “In all jewels there is a great capacity for design, the sign, intellectually expressed in drawings of rare beauty, and the ornament, the result of a rich archive of references to classical culture and to the ritual-metaphysical dimension”, explains Paola Stroppiana. “Pomodoro also knew how to maintain a close bond with the sculptural production, transposing in the jewels, and vice versa, the results of his own plastic researches, from Tensions and Folle to Hulls, from Contacts to the Suns”.
They are to be noted the line of jewels designed for the gem of the brother-in-law Giancarlo Montebello in the mid-seventies, one of the first serial production experiments of «cheap art jewels», and the realization of a notebook of 38 tables for prototypes of cuts in hard stone, many of which are on show, for Cesari & Rinaldi at the beginning of the Nineties. Giulia Netrese
Gio’ Pomodoro’s jewels: the sign and the ornament
Tuesday-Friday from 15.00 to 19.00
Saturday and Sunday from 11.00 to 19.00
Tickets: full 6 euros, reduced 4 euros



Gio' Pomodoro, bracciale, 1980, oro giallo, oro bianco, smalti, zaffiri, diamanti. Photo: Michele Porcari
Gio’ Pomodoro, bracciale, 1980, oro giallo, oro bianco, smalti, zaffiri, diamanti. Photo: Michele Porcari
Gio' Pomodoro, bracciale, 1967, oro giallo, smalti, diamante. Photo: Michele Porcari
Gio’ Pomodoro, bracciale, 1967, oro giallo, smalti, diamante. Photo: Michele Porcari

Gio' Pomodoro, collana, 1964, oro puro, oro rosso, oro bianco, smeraldi, rubini. Photo: Michele Porcari
Gio’ Pomodoro, collana, 1964, oro puro, oro rosso, oro bianco, smeraldi, rubini. Photo: Michele Porcari







Chains on exhibition




In Vicenza 80 jewels that have the chain’s protagonist ♦︎
There are chains that bind and there are chains that release. There are also chains that like. Those that are used in jewelery, for example, are the desired chains, especially if bracelets or necklaces become original, precious objects with a precise identity. Alba Cappellieri started from this consideration, perhaps, in treating the exhibition Intrecci Preziosi. The chain between function and decoration at the Jewel of Vicenza Museum (October 27, 2017-25 March 2018). Below the glass windows of the first permanent jewelery museum there are 80 chains that from the end of the eighteenth century have marked stages in the goldsmith’s manufacture.
“The chain, binds, supports, decorates, encapsulates universal symbols, alludes to the fascinating idea of ​​circularity, a borderless or chronological or geographical ornament that crosses the history of costume as art, ornaments and of fashion, “comments Cappellieri, who is also a professor of Jewel Design at the Politecnico di Milano. “The chains traditionally have a dual interpretation: in the negative sense they are signs of human slavery, while in positively they represent the beauty and social prestige and as such have been represented by the greatest painters of art history to symbolize universal values ​​such as honor, fidelity, love. ”
In the exhibition there is a selection of chains made in Veneto since the Renaissance, and pieces made both craftsmanly and industrially by important Italian goldsmiths such as Fope, Franco Pianegonda, Marco Bicego, Mattioli, Nanis, Pasquale Bruni, Pesavento, Pomellato, Roberto Coin, Unoaerre, Vendorafa Lombarda, Vhernier. And next to the Maison’s signature, there are the works of designers like Giampaolo Babetto, Francesca Braga Rosa, Emma Francesconi, Stefania Marchetti, Carla Riccoboni, Barbara Uderzo, Daniela Vettori, Alberta Vita.
The Jewelery Museum, the first in Italy and one of the few in the world exclusively dedicated to jewelery, is the result of Ieg’s commitment in partnership with the City of Vicenza in promoting the cultural universe of Italian jewelry and jewelry, which the Italian Exhibition Group is recognized as a world-class player thanks to the VicenzaOro International Event. Federico Graglia



Emma Francesconi,, Trifora, collana in titanio
Emma Francesconi,, Trifora, collana in titanio
Alberta Vita, collana Quadrati in argento
Alberta Vita, collana Quadrati in argento
Vhernier, Doppio Senso, catena in oro bianco e diamanti, jet
Vhernier, Doppio Senso, catena in oro bianco e diamanti, jet
Daniela Vettori, Legami Preziosi, collier in oro, fatto a mano
Daniela Vettori, Legami Preziosi, collier in oro, fatto a mano
Unoaerre, bracciale in oro giallo
Unoaerre, bracciale in oro giallo
Stefano Marchetti, collana in argento
Stefano Marchetti, collana in argento
Roberto Coin, Retri collection, bracciale in oro bianco e diamanti
Roberto Coin, Retri collection, bracciale in oro bianco e diamanti
Pomellato, collana Victoria in oro rosa
Pomellato, collana Victoria in oro rosa
Pianegonda, Liquid Emotion, collana in argento
Pianegonda, Liquid Emotion, collana in argento
Pesavento, Plvere di sogni, collana in argento, lucidato bronzo rosa
Pesavento, Plvere di sogni, collana in argento, lucidato bronzo rosa
Pasquale Bruni, collana Make Love in oro bianco e diamanti
Pasquale Bruni, collana Make Love in oro bianco e diamanti
Nanis, bracciale in oro e diamanti
Nanis, bracciale in oro e diamanti

Mattioli, collezione Puzzle, modello Bikini in oro rosa e madreperle fuxia
Mattioli, collezione Puzzle, modello Bikini in oro rosa e madreperle fuxia





Marco Bicego, collana
Marco Bicego, collana

Stefania Lucchetta, Aspera 50 in bronzo placcato oro
Stefania Lucchetta, Aspera 50 in bronzo placcato oro
Francesca Braga Rosa e Ludovico Vianello, Our of office, collana con graffette in ottone
Francesca Braga Rosa e Ludovico Vianello, Our of office, collana con graffette in ottone
Giampaolo Babetto, Collana in oro giallo
Giampaolo Babetto, Collana in oro giallo

Vendorafa, collana Lace, in oro, ametista, peridoto, rodolite, topazio rosa, diamanti
Vendorafa, collana Lace, in oro, ametista, peridoto, rodolite, topazio rosa, diamanti







(Italiano) Le spille dell’orgoglio al Museo del Gioiello

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Spille da mostrare con orgoglio: le onorificenze sono in mostra al Museo del Gioiello ♦

Ci sono gioielli e gioielli. Di solito i gioielli li indossano le donne, perché amano un oggetto prezioso, oppure per attirare uno sguardo, un commento di ammirazione. Ma ci sono anche i gioielli che servono a comunicare altro. Per esempio, l’appartenenza a uno speciale club, oppure a specificare che la persona che indossa il gioiello è stata particolarmente abile, coraggiosa, intraprendente. Questi gioielli sono segni o, meglio sono la manifestazione di una onorificenza. Qualche volta queste spille da appuntare orgogliosamente al petto sono anche preziose e particolarmente elaborate. E ora si possono anche osservare da vicino nella mostra intitolata Dame e Cavalieri. I gioielli delle onorificenze, organizzata al Museo del Gioiello di Vicenza, diretto da Alba Cappellieri, docente di Design del Gioiello al Politecnico di Milano e principale studiosa del settore in Italia.

Come sa chi segue gioiellis.com, il Museo del Gioiello è anche un’esposizione permanente all’interno della Basilica Palladiana, il primo in Italia e uno dei pochi al mondo dedicato esclusivamente al gioiello, ed è gestito da Italian Exhibition Group, realtà nata dall’integrazione tra Rimini Fiera e Fiera di Vicenza – in partnership con il Comune di Vicenza.

Ordine al Merito della Repubblica Italiana, Placca di Gran Croce. Foto: Martina Pace
Ordine al Merito della Repubblica Italiana, Placca di Gran Croce. Foto: Martina Pace

Che cosa c’è in mostra

La nuova esposizione temporanea, al piano terra del Museo del Gioiello, è articolata in due sezioni. La prima comprende le onorificenze di Cavalierato maschile con circa 40 pezzi, scelti tra le più importanti e rare collezioni del mondo, e 10 pezzi significativi che rendono omaggio alla collezione di Giovanni Giolitti, onorificenze date allo statista italiano dal Re e da altri Stati Europei e mondiali in qualità di Capo di Stato. Tra i pezzi in mostra, per esempio, si trovano le onorificenze dei Ss. Maurizio e Lazzaro, l’Insegna di Gran Croce, il Piccolo Collare della SSa. Annunziata, il Gran Collare di San Giorgio e la Placca di Gran Croce, Ordine Coloniale della Stella d’Italia.

La seconda sezione, quella delle Dame, comprende circa una decina di pezzi, come l’Insegna di Cavalierato dell’Ordine della legione d’Onore e le Insegne dell’Ordo Supremus Militaris Templi Hierosolymitani.

Ordo Supremus Militaris Templi Hierosolymitani
Ordo Supremus Militaris Templi Hierosolymitani

Una lunga storia

Insegne, decorazioni e medaglie che prendono vita nel XI secolo con le onorificenze di Cavalierato conferite solo a uomini, che si fossero distinti per altissime benemerenze, consuetudine estesa poi anche alle Dame solo dal 1662. La mostra presenta inoltre una decina di creazioni di G.B. Ballarino, orafo di una casa di tradizione storica nel campo delle onorificenze, autorizzato a innalzare le armi della Real Casa di Savoia e della Real Casa di Bulgaria con la dicitura «fornitore della Real Casa», con croci-gioiello pendenti in oro, smalto e pietre preziose.

Dame e Cavalieri. I gioielli delle onorificenze
Museo del Gioiello
Basilica Palladiana di Vicenza
dal 24 Maggio al 17 Settembre 2017
Da martedì a venerdì dalle 15.00 alle 19.00
sabato e domenica dalle 11.00 alle 19.00
Biglietti: intero 6 euro, ridotto 4 euro

Ordine Reale della Cambogia. Foto:  Martina Pace
Ordine Reale della Cambogia. Credit: Martina Pace
Ordine al merito della Repubblica Italiana, insegna da commendatore. Credit: Martina Pace
Ordine al merito della Repubblica Italiana, insegna da commendatore. Credit: Martina Pace
Croci Gioiello. Credit: Martina Pace
Croci Gioiello. Credit: Martina Pace
Ordine dell'Annunziata. Credit: Martina Pace
Ordine dell’Annunziata. Credit: Martina Pace
Ordine dell'Aquila Rossa. Credit: Martina Pace
Ordine dell’Aquila Rossa. Credit: Martina Pace
Ordine della Corona. Insegna da Cavaliere con spade. Credit: Martina Pace
Ordine della Corona. Insegna da Cavaliere con spade. Credit: Martina Pace
Ordine della Redenzione Africana.  Placca e Insegna di Gran Croce. Credit: Martina Pace
Ordine della Redenzione Africana. Placca e Insegna di Gran Croce. Credit: Martina Pace
Ordine di Sant Alessandro Nevskij. Credit:  Martina Pace
Ordine di Sant Alessandro Nevskij. Credit: Martina Pace

The Museo del Gioiello goes for two

The Museum of the Jewel of Vicenza is renewed for the biennium of life, new pieces, new curators, same nice offer.
The Museum of the Jewel of Vicenza from the beginning it is presented as a kind of chameleon: the exhibits are top quality but inevitably change over time. Every two years, the jewels return to their respective owners and are replaced by others. The second cycle is just beginning: the 2017-2018 edition was inaugurated in the presence of ten new international curators. And, in addition to new jewelery, there is also an institutional innovation: the Museum, wanted with strength and perseverance by Matteo Marzotto, until now president of the Vicenza Fair, it’s now headed by the new company born from the union between the Vicenza structure and Rimini, namely Italian Exhibition Group. That’s why the start for the new cycle was given by Lorenzo Cagnoni, President of Italian Exhibition Group. Marzotto remains, however, as vice president of the new company: “From the first day of public opening of the Jewel Museum has proved a winning idea. Authoritative center of gravity of the cultural universe story goldsmith and jewelery, innovation and a refined search” he explained. “Deeply rooted and logistically in Vicenza, one of the world capitals of the jewel, expresses with his unique personality high international vocation; particularly appreciated not only for the quality of guardianship, but also to the origin and excellence of the exhibits, the many Italian and foreign visitors welcomed, for the unusual museum suitable for all audiences. A global profile that will be further enhanced thanks to the new exhibition and cooperation of the new curators in the next biennium 2017-18.”
The news
The museum space is over 410 square meters and is edited and directed by Alba Cappellieri, a professor of Jewellery Design at the Politecnico di Milano. It now features a new selection with 400 jewels, excellence and prestige, selected according to the sensitivity of the new curators of internationally involved, as Glenn Adamson, director of the Museum of Arts and Design in New York, Nicolas Bos, President & Ceo of Van Cleef & Arpels, the art critic and collector Helen Drutt English, the anthropologist Cristina Del Mare, the art historian Alessandra Poss, Stefano Piaggi, Director of Archive Anna Piaggi, Marco Romanelli, architect and designer, the art historian and author Paola Venturelli, the award-winning designer Odo Fioravanti.
The museum
First in Italy and one of the few in the world dedicated exclusively to the jewel located inside the Palladian Basilica in Vicenza, historic building from the XVI century, Unesco World Heritage Site since 1994, the Jewel Museum in two years after its opening, December 24, 2014, recorded 34,000 visitors.

Van Cleef & Arpels, clip Felce, platino, oro giallo, zaffiri, diamanti, 1947
Van Cleef & Arpels, clip Felce, platino, oro giallo, zaffiri, diamanti, 1947

Pendente del Nepal, oro, corallo, rubini, smeraldi, XIX secolo
Pendente del Nepal, oro, corallo, rubini, smeraldi, XIX secolo
Alexander Calder, spilla Butterfly, 1940
Alexander Calder, spilla Butterfly, 1940
Castellani e Tommaso Saulini, cammeo papale in conchiglia, oro filigranato, 1883
Castellani e Tommaso Saulini, cammeo papale in conchiglia, oro filigranato, 1883
Ugo Correani, metallo, ottone, plastica, anni Ottanta
Ugo Correani, metallo, ottone, plastica, anni Ottanta
Lella e Massimo Vignelli, collana Senza Fine, argento, 1992
Lella e Massimo Vignelli, collana Senza Fine, argento, 1992
Giampiero Bodino, chocker Rosa dei Venti, spinello rosso, zaffiri blu e gialli, smeraldo, ametista, diamanti, oro rosa, 2013
Giampiero Bodino, chocker Rosa dei Venti, spinello rosso, zaffiri blu e gialli, smeraldo, ametista, diamanti, oro rosa, 2013
Nicolas Bos, Van Cleef & Arpels
Nicolas Bos, presidente & Ceo di Van Cleef & Arpels
Alba Cappelieri
Alba Cappelieri

The skin of jewels, in Vicenza

Saturday, January 23, while the pavilions VicenzaOro were crossed by a crowd of buyers, in the center, in the noble Palladian Basilica of Vicenza, was inaugurated the exhibition «Skin: the surface of the jewel» set in the halls of the Museum of Jewelry. The inauguration was a success more than an excess: a crowd does not yet satisfy golds view the stands has poured into the beautiful but relatively small rooms of the museum. The exhibition, which will remain on display until May 1, 2016, has as philosophy the consideration that the first encounter with the objects, of whatever nature, is purely superficial, and only then can you appreciate or not elements such as wearability, materiality and weight. Curated by Alba Cappellieri and Livia Tenuta, the exhibition is accompanied by the permanent display (so you can see both). The jewels are all surface, but in particular, the exhibition deals with the pins, through the use of traditional and innovative techniques, the color, structure and volumes. Not surprisingly, the brooch is experiencing a revival in the world of jewelery trade. On display are jewelry products from more than 70 artists and designers and goldsmiths Italian international.
Here is the list of artists with works on display: Senay Akin, Barbara Antolini, Alessia Ansaldi, Francesca Antonello, Sanae Asayama, Rosalba Balsamo, Silvia Beccaria, Emanuela Bergonzoni, Maura Biamonti, Dana Bloom, Giulia Boccafogli, Patrizia Bonati, Massimiliano Bonoli for Mattia Cielo, Fabrizio Bonvicini, Luisa Bruni, Margherita Burgener, Fabio Cammarata, Mary Jennifer Carew, Alessandro Cremonesi, Isabella Del Bono, Elviro Di Meo and Antonio Rossetti, Sandra Paintings, Anna Fornari, Laura Strong, Emma Francesconi, Fronza Stefano, Francesca Gabrielli Lucilla Giovanninetti, Heidemarie Herb, Laura Lanaro, Marta Laudani and Marco Romanelli, Benjamin Lignel, Limodoro, Eliana Lorena, Stefania Lucchetta, Letizia May, Laura Magro, Alba Rosa Mancini, Manuganda, Stefano Marchetti, Alberto Mariani, Mattioli, Tomoko Mizu, GianCarlo Montebello, Nach Bijoux, Kazumi Nagano, Olga Noronha, Barbara Paganin, Jinbi Park, Ricardo Peiro, Marco Picciali, Alba Polenghi Lisca, Patrizia Pompey, Patricia Posada, Paul Quagliotto, Claudio Ranfagni, Daniela Repetto, Carla Riccoboni, Ivana Riggi, Roberta Risolo, James Rivière, Maddalena Rocco, Stenia Scarselli, Gianluca Staffolani, Barbara Uderzo, Silvia Valenti, Federico Vianello, Villa Francesca, Violavaleriano, Cristian Visentin, Laura Volpi, Andy Yuk, Chiara Zanetti, Christina Zani Roberto Zanon.

Da sinistra: Livia Tenuta, Matteo Marzotto, Alba Cappellieri
Da sinistra: Livia Tenuta, Matteo Marzotto, Alba Cappellieri
Inaugurazione della mostra Skin: la superficie del gioiello
Inaugurazione della mostra Skin: la superficie del gioiello
Skin: la superficie del gioiello
Skin: la superficie del gioiello
Una bacheca della mostra a Vicenza
Una bacheca della mostra a Vicenza
Bachece della mostra a Vicenza
Bachece della mostra a Vicenza
Skin: la superficie del gioiello allestita nelle sale del Museo del Gioiello
Skin: la superficie del gioiello allestita nelle sale del Museo del Gioiello
Skin: la superficie del gioiello allestita nelle sale del Museo del Gioiello
Skin: la superficie del gioiello allestita nelle sale del Museo del Gioiello
Inaugurazione della mostra
Inaugurazione della mostra

Anteprima: ecco il Museo del Gioiello

L'ingresso del Museo del Gioiello, alla Basilica Palladiana
L’ingresso del Museo del Gioiello, alla Basilica Palladiana

Anteprima del Museo del Gioiello. L’inaugurazione è prevista per il 24 dicembre, ma Gioiellis ha visitato in anteprima i locali della Basilica Palladiana, nel centro di Vicenza. Presente all’anteprima per la stampa il presidente di Fiera Vicenza, Matteo Marzotto. Che ha approfittato dell’occasione per fare il punto sulla strategia di VicenzaOro. «L’accordo con Panama (https://gioiellis.com/un-canale-panama-per-fiera-vicenza/) è la porta per il Sudamerica», ha spiegato, «mentre Dubai è la piattaforma per Far East e Africa. La regione del Golfo Persico è il più importante cliente dell’export gioielli italiano». E VicenzaOro, che a gennaio cambierà? «Abbiamo ampliato i saloni, il format dell’oro è stato completamente cambiato, più innovativo e basato su sei community diverse, anche nella linea grafica. Avrà sei sentieri d’acquisto per semplificare la visita dei clienti, per esempio i buyer internazionali che hanno poco tempo a disposizione: non vogliamo essere i più grandi come dimensioni, ma i migliori nel combinare domanda e offerta». Secondo il presidente di Fiera Vicenza, l’Italia è un grande distretto, da Valenza ad Arezzo, fino a Torre del Greco: tutti territori con una grande tradizione e Vicenza si è affermata come piattaforma di internazionalizzazione dell’intera filiera italiana. L’obiettivo è, ovviamente, anche migliorare il fatturato dell’ente Fiera Vicenza, a 32 milioni, di cui 21 derivano da VicenzaOro.

Matteo Marzotto
Matteo Marzotto

Il museo. È il primo in Italia e uno dei pochi al mondo dedicato esclusivamente al gioiello, situato nei 410 metri quadrati all’interno della Basilica Palladiana. Direttore è Alba Cappellieri, docente di Design del gioiello al Politecnico di Milano, mentre la progettista è Patricia Urquiola. L’esposizione permanente si sviluppa in un percorso articolato su due livelli: al piano terreno l’ingresso, con il bookshop con testi nazionali ed internazionali sul gioiello. Poi, la sala delle esposizioni temporanee, in cui sono previste mostre dedicate ai preziosi della gioielleria. Il piano superiore è il cuore del Museo, con nove sale espositive che accolgono circa 400 gioielli e accompagnano i visitatori in un percorso inedito, nel tempo e nelle culture, dalla preistoria al futuro: Simbolo, Magia, Funzione, Bellezza, Arte, Moda, Design, Icone e Futuro. Si punta, dunque, su ambiti tematici e non cronologici. Un’impostazione fortemente voluta dal direttore perché il concetto di gioiello muta con il tempo e segue le trasformazioni della società. E infatti, le opere che si trovano nelle sale curate da esperti internazionali come Aldo Bakker, Gijs Bakker, Bianca Cappello, Franco Cologni, Deanna Farneti Cera, Graziella Folchini Grassetto, Stefano Papi, Maura Picciau e Paolo Maria Guarrera, Alfonsina Russo e Ida Caruso, cambieranno ogni due anni. Per esempio nella sala Bellezza, interpretata da un’imprenditore come Cologni, già alla guida di Cartier international e attualmente presidente onorario del gruppo Richemont,  gli oggetti esposti rappresentano la capacità tutta italiana di combinare il bello al saper fare. Il prossimo curatore, magari un francese a capo di una grande maison come Van Cleef &Arpels, selezionerà altre opere partendo da una filosofia e un gusto probabilmente diversi. Insomma, la rotazione non solo renderà il messo sempre vivo e dinamico, ma offrirà ai cittadini e si spera anche ai clienti della fiera una continuità. Non a caso, la scelta vede affiancati gioielli antichi, ma anche moderni, fino alle ultime creazioni realizzate con le stampanti in 3D. Monica Battistoni

Museo del Gioiello 
Vicenza, Basilica Palladiana 
Orari di apertura: 
dal lunedì al venerdì dalle 10 alle 18
sabato, domenica e giorni festivi dalle 9 alle 19
Durante le festività: 24 dicembre 16-19, 25 dicembre 15-20, 31 dicembre 9-1 di notte, 1 gennaio 10-19. 
Biglietto: intero 6 euro, ridotto 4 euro

Entrata Museo del gioiello, Vicenza
Entrata Museo del gioiello, Vicenza
Sala Simbolo
Sala Simbolo
Sala Design.
Sala Design. Credits by Cosmo Laera
Spille per abito di Ferrè, sala Moda
Spille per abito di Ferrè, sala Moda
Collana stile 700' Karl Lagerfeld per Chanel 1983 e pendenti Kenneth Jay Lane 1965
Collana stile 700′ Karl Lagerfeld per Chanel 1983 e pendenti Kenneth Jay Lane 1965. Sala Moda
Sala-Bellezza. Credits by Cosmo Laera
Sala-Bellezza. Credits by Cosmo Laera
Mattioli, collana Puzzle 2014. Sala Bellezza
Mattioli, collana Puzzle 2014. Sala Bellezza
Roberto Coin, collana Fantasia floreale, sala Bellezza
Roberto Coin, collana Fantasia floreale, sala Bellezza
Vendorafa Lombardi, collana Eclissi
Vendorafa Lombardi, collana Eclissi
Percossi Papi, Collier de chain
Percossi Papi, Collier de chain
Micheletto, collana
Micheletto, collana

Anteprima: i gioielli di Vicenza

[wzslider]Nove pezzi unici di grande valore: sono i gioielli simbolo delle nove sale a tema del primo Museo del Gioiello (https://gioiellis.com/arriva-museo-gioiello/), che verrà inaugurato a Vicenza il 24 dicembre. E non poteva essere altrimenti dato che verranno ospitati in un sito dichiarato Patrimonio Mondiale dell’Unesco dal 1994. Insomma una degna cornice, grazie anche un allestimento pensato per connettere la l’arte Rinascimentale con quella contemporanea: dalle antiche logge palladiane in marmo, alle sale interne, alle teche, agli espositori, al gioiello, che diventa il trait d’union tra ieri e oggi. Ciascuno rappresenta un concetto: bellezza, simbolo, icone, design, futuro, funzione, arte , moda e magia. Ci sono i cammei e i coralli tipici della tradizione italiana provenienti dalla collezione privata dei Fratelli De Simone, uno dei nomi illustri della gioielleria italiana, c’è un modernissimo riferimento a Michelangelo, ci sono materiali di scarto che diventano design ma sociale e anche l’idea di rendere un oggetto ornamentale anche utile. Gioiellis li ha visti in anteprima e ve li mostra. M.B.

Preview: jewelery from Vicenza

Nine pieces of great value: are the jewels symbol of the nine themed rooms of the first Museum of Jewelry (https://gioiellis.com/arriva-museo-gioiello/), that will be opened in Vicenza December 24th. And could not be otherwise given that they will be hosted in a World Heritage Site listed by Unesco in 1994. Then a perfect framing, thanks to a layout designed to connect Renaissance art to contemporary, from ancient Palladian marble lodges, interior rooms, cabinets, exhibitors, to jewels, which become the link between yesterday and today. Each represents a concept: beauty, symbol, icon, design, future, function, art, fashion and magic. There are the cameos and corals of the typical Italian tradition from the private collection of the Fratelli De Simone, one of the illustrious names of Italian jewelery, there is a modern reference to Michelangelo, there are waste materials that become social design and also the idea of making of something jus decorative also useful. Gioiellis saw them in preview shows them here.

Avant-première: bijoux de Vicence

Neuf pièces de grande valeur: sont les joyaux symbole des neuf chambres à thème de la première Musée des joyaux (https://gioiellis.com/arriva-museo-gioiello/) qui sera ouverts à Vicenza December 24. Et et ne pouvait pas en être autrement, car ils seront hébergés dans un site classé au patrimoine mondial par l’Unesco en 1994. Enfin, un cadre idéal, grâce mise en scène conçu pour se connecter art de la Renaissance à la musique contemporaine, d’anciens pavillons de marbre palladiennes, pièces intérieures, des armoires, des exposants, à bijoux, qui deviennent le lien entre hier et aujourd’hui. Chacun représente un concept: la beauté, symbole, icône, conception, avenir, la fonction, l’art, la mode et de la magie. Il ya les camées et coraux typique de la tradition italienne de la collection privée de Fratelli De Simone, un des noms illustres de joaillerie italienne, Il ya une très moderne référence à Michel-Ange, il ya des déchets matériaux qui deviennent conception sociale et aussi l’idée de faire quelque chose de jus décoratif également utile. Gioiellis les vit en avant-première leur montre ici.

Vorschau: Schmuck aus Vicenza

Neun Stücke von großem Wert: sind die Juwelen Symbol der neun Themenzimmer des ersten Museums für Schmuck (https://gioiellis.com/arriva-museo-gioiello/), die in Vicenza eröffnet wird der 24 Dezember. Und nicht anders angegeben, dass sie in einem Weltkulturerbe der Unesco im Jahr 1994 dann ein perfektes Rahmen aufgeführt in ein Layout entwickelt, um die Kunst der Renaissance bis zur zeitgenössischen verbinden, aus dem alten Palladio Marmor Lodges, Innenräumen , Schränken Gastgeber dank werden kann, Aussteller, um Schmuckstücke, die das Bindeglied zwischen gestern und heute zu werden. Jeweils ein Konzept: Schönheit, Symbol, Symbol, Design, Zukunft, Funktion, Kunst, Mode und Magie. Es gibt die Gastauftritte und Korallen des typischen italienischen Tradition aus der Privatsammlung des Fratelli De Simone, einer der illustren Namen der italienischen Schmuck, gibt es eine moderne Verweis auf Michelangelo gibt es Abfallstoffe, die soziale Konstruktion und auch die Idee zu werden der Herstellung von etwas einfach dekorative ebenfalls nützlich. Gioiellis sah, wie sie in der Vorschau und zeigt hier.

Предварительный просмотр: драгоценности из Виченцы

Девять штук большое значение: это символ драгоценности из девяти тематических номеров первого музея Ювелирные изделия (https://gioiellis.com/arriva-museo-gioiello/), которые будут открыты в городе Виченца, 24 декабря. И не может быть иначе, учитывая, что они будут размещены в список Всемирного наследия в список ЮНЕСКО в 1994 году Тогда идеального обрамления, благодаря макет разработан для подключения искусства эпохи Возрождения до современности, от древних Палладио мраморных ложах, внутренних помещений, кабинетов, экспонентов, в драгоценности, которые становятся связующим звеном между вчера и сегодня. Каждый из них представляет концепцию: красота, символ, икона, дизайн, будущий, функции, искусство, мода и волшебный. Есть камеи и кораллы типичного итальянской традиции с частной коллекции Fratelli De Simone, один из прославленных именами в итальянской драгоценности, есть современный ссылка на Микеланджело, есть отходы, которые становятся социальной дизайна, а также идея сделать что-то просто декоративные и полезно. Gioiellis видел их в предпросмотре и здесь показывает.

Vista previa: joyas de Vicenza

Nueve piezas de gran valor: son el símbolo de las joyas de las nueve salas temáticas del primer Museo de la joyería (https://gioiellis.com/arriva-museo-gioiello/), que se abrirá en Vicenza, el 24 de diciembre. Y no podía ser de otra forma dado que se alojarán en un Patrimonio Mundial por la Unesco en 1994. Entonces, un encuadre perfecto, gracias a un diseño diseñado para conectar el arte del Renacimiento hasta el contemporáneo, desde las antiguas logias de mármol de Palladio, habitaciones interiores, armarios, expositores, a las joyas, que se convierten en el vínculo entre ayer y hoy. Cada uno representa un concepto: la belleza, símbolo, icono, diseño, futuro, la función, el arte, la moda y la magia. Hay los camafeos y corales de la tradición italiana típica de la colección privada de la Fratelli De Simone, uno de los nombres ilustres de la joyería italiana, no es una referencia moderna a Miguel Ángel, hay materiales de desecho que se convierten en diseño social y también la idea de hacer algo simplemente decorativos también útil. Gioiellis los vio en la vista previa y los muestra aquí.

Arriva il primo museo del gioiello

Per la prima volta l’Italia avrà un Museo del gioiello. Lo aprirà Fiera di Vicenza, che organizza la classica VicenzaOro. Il museo è stato presentato a Milano e si tradurrà nella prima realtà museale permanente in Europa completamente dedicata all’arte orafa. Aprirà la vigilia di Natale, il 24 dicembre 2014, nella Basilica Palladiana, edificio del XVI secolo e patrimonio mondiale dell’Unesco dal 1994.  «Non è solo una nostra iniziativa, ma un regalo all’Italia, destinato a diventare patrimonio di tutti», ha spiegato Matteo Marzotto, presidente di Fiera di Vicenza. «Il museo, 500 metri quadrati curati e diretti dalla docente di design del gioiello al Politecnico di Milano Alba Cappellieri, è stato ideato, finanziato e gestito dalla Fiera con il patrocinio del Comune di Vicenza, e allestito da Patricia Urquiola: «Siamo l’ultima pietra del restauro della basilica che quest’anno compie 400 anni. Abbiamo creato un piano terreno con un bookshop e una sala polifunzionale e, al piano superiore, nove spazi», ha detto la designer spagnola. Fiera di Vicenza, che ha chiuso il 2013 con ricavi oltre i 31 milioni di euro, oltre 1 milione di risultato netto e un ebitda del 15% («che potrebbe arrivare al 20% nel 2014», ha detto Marzotto) ha anche presentato i progetti per il 2015: 18 eventi, il nuovo format espositivo VicenzaOro The boutique show (23/28 gennaio 2015 e 5/9 settembre), la prima edizione di VicenzaOro Dubai (23/26 aprile) in joint venture con Dubai World Centre, e la nuova manifestazione HIT (14/16 febbraio) dedicata a caccia, outdoor e tiro sportivo. Federico Graglia 

Un plastico della Basilica palladiana,a Vicenza
Un plastico della Basilica palladiana, a Vicenza
L'interno del Museo del Gioiello in un rendering
L’interno del Museo del Gioiello in un rendering
La Basilica Palladiana
La Basilica Palladiana
Matteo-Marzotto
Matteo Marzotto

ukIt’s coming the first museum of jewelery

For the first time Italy has a museum about the jewels. It will be open by Fiera di Vicenza, which organizes the classical VicenzaOro. The museum was presented in Milan and will result in the first really permanent museum in Europe entirely dedicated to jewelery. It will open on Christmas Eve, December 24, 2014, at the Palladian Basilica, built in the sixteenth century and a Unesco World Heritage Site since 1994. “It’s not just our initiative, but a gift to Italy, set to become the heritage of all” explained Matteo Marzotto, President of Fiera di Vicenza. The museum, 500 square meters, cared for and directed by the lecturer in jewelery design at the Politecnico di Milano Alba Cappellieri, was conceived, funded and managed by the Fair under the patronage of the Municipality of Vicenza, and designed by Patricia Urquiola: “We are the last stone of the restoration of the basilica, which this year celebrates 400 years. We have created a ground floor with a bookshop and a multipurpose room and, upstairs, nine spaces, “said Spanish designer. Vicenza Fair, which closed 2013 with revenues of more than eur 31 million, over 1 million of net income and Ebitda by 15% (“which could reach 20% in 2014,” said Marzotto) also presented the projects for 2015: they are 18 events, the new format of fair, VicenzaOro the boutique show (23/28 January  and 5/9 September 2015), the first edition of VicenzaOro Dubai (23/26 April) in a joint venture with Dubai World Trade Centre, and the new event HIT (14/16 February) dedicated to hunting, shooting and outdoor sports.

france-flagLe premier musée de bijoux

Pour la première fois en Italie il y a un musée sur les bijoux. Il sera ouvert par Fiera di Vicenza, qui organise la classique VicenzaOro. Le musée a été présentée à Milan et se traduira par le premier musée permanent, le premier en Europe, entièrement dédié à la bijouterie. Il ouvrira la veille de Noël, le 24 Décembre 2014, à la basilique palladienne, construit au XVIe siècle et un site du patrimoine mondial de l’Unesco depuis 1994. «Il n’y a pas que notre initiative, mais un don à l’Italie, en passe de devenir le patrimoine de tout», explique Matteo Marzotto, président de Fiera di Vicenza. Le musée, 500 mètres carrés, pris en charge et dirigés par l’enseignant dans la conception de bijoux au Politecnico di Milano Alba Cappellieri, a été conçu, financé et géré par la foire sous le patronage de la municipalité de Vicenza, et conçu par Patricia Urquiola: «Nous sommes la dernière pierre de la restauration de la basilique, qui fête cette année 400 ans. Nous avons créé un rez de chaussée avec une librairie et une salle polyvalente et, à l’étage, neuf espaces», a déclaré la designer espagnol. Vicenza Fair, qui a clôturé 2013 avec des revenus de plus de 31 millions d’euros, plus de 1 million de revenu net et l’Ebitda de 15% (“qui pourrait atteindre 20% en 2014», a déclaré Marzotto) a également présenté les projets pour 2015: ils sont 18 événements, le nouveau format de foire, VicenzaOro le spectacle de charme (23/28 Janvier et Septembre 5/9 2015), la première édition de VicenzaOro Dubaï (23/26 Avril) dans une joint-venture avec Dubai World Trade Centre, et le nouveau événement HIT (14/16 Février) dédié à la chasse, le tir et sports de plein air.

german-flagEs kommt das erste Museum für Schmuck

Zum ersten Mal Italien hat ein Museum über die Juwelen. Es wird von Fiera di Vicenza, die die klassischen VicenzaOro organisiert geöffnet sein. Das Museum wurde in Mailand vorgestellt und wird in der ersten wirklich dauerhaftes Museum in Europa ganz auf Schmuck gewidmet führen. Es wird am Heiligabend, 24. Dezember 2014 die Basilika von Palladio zu öffnen, in dem sechzehnten Jahrhundert und ein Unesco-Weltkulturerbe seit 1994 gebaut “Es ist nicht nur unsere Initiative, sondern ein Geschenk nach Italien, gesetzt, um das Erbe zu alle”, erklärt Matteo Marzotto, Präsident der Fiera di Vicenza. Das Museum, das 500 Quadratmeter, gepflegt und von dem Dozenten in Schmuckdesign an der Politecnico di Milano Alba Cappellieri gerichtet, wurde konzipiert, finanziert und von der Messe unter der Schirmherrschaft der Gemeinde von Vicenza verwaltet und von Patricia Urquiola: “Wir sind der letzte Stein der Restaurierung der Basilika, die in diesem Jahr 400 Jahre. wir haben ein Erdgeschoss mit einem Buchladen und ein Mehrzweckraum und, im Obergeschoss, neun Räume geschaffen”, sagte der spanische Designer. Vicenza Messe, die 2013 mit einem Umsatz von über eur 31 Mio. um 15% geschlossen, über 1 Millionen der Nettogewinn und Ebitda (“die im Jahr 2014 20% erreichen konnte”, sagte Marzotto) präsentierte auch die Projekte für das Jahr 2015: Sie sind 18 Events, das neue Format der Messe, VicenzaOro das Boutique-Show (23/28 Januar und 5/9 September 2015), die erste Ausgabe des VicenzaOro Dubai (23/26 April) in einem Joint Venture mit der Dubai World Trade Centre und das neue Veranstaltung HIT (14/16 Februar) auf die Jagd, das Schießen und Outdoor-Sportarten gewidmet.

flag-russiaОн идет первый музей драгоценностей

Впервые Италия есть музей о драгоценностях. Он будет открыт с Fiera Di Vicenza, который организует классическую Vicenzaoro. В музее была представлена в Милане и приведет к первой действительно постоянного музея в Европе полностью посвященной украшений. Она откроется в канун Рождества, 24 декабря 2014 года, в Палладио базилики, построенной в шестнадцатом веке и список Всемирного наследия юнеско с 1994 года “Это не просто наша инициатива, но подарок в Италию, собирается стать достоянием все “объяснил Маттео Marzotto, Президент Fiera Di Vicenza. В музее, 500 квадратных метров, заботятся и по указанию преподавателя в ювелирном дизайне в Политехнический университет Милана Альба Cappellieri, был задуман, финансируется и управляется ярмарке под патронажем муниципалитета города Виченца, и предназначена Патрисия Urquiola: “Мы последний камень реставрации базилики, которая в этом году отмечает 400 лет. Мы создали первый этаж с книжным магазином и многоцелевой комнате и, наверху, девять пространства “, сказал испанский дизайнер. Виченца ярмарка, которая закрыта 2013 с доходами более Eur 31 млн, более 1 млн чистой прибыли и Ebitda на 15% (“, которая может достичь 20% в 2014 году,” сказал Marzotto) также представлены проекты на 2015 год: они 18 события, новый формат выставки, VicenzaOro бутик-шоу (23/28 января и 5/9 сентября 2015), первое издание Vicenzaoro Дубае (23/26 апреля) в рамках совместного предприятия с Dubai World Trade Centre, а новый ХИТ событие (14/16 февраля) посвящен охоте, стрельбе и спорта на открытом воздухе.

spagna-okEstá llegando el primer museo de joyas

Por primera vez Italia tiene un museo sobre las joyas. Estará abierto por Fiera di Vicenza, que organiza la clásica VicenzaOro. El museo se presentó en Milán y se traducirá en el primer museo realmente permanente en Europa enteramente dedicado a la joyería. Se abrirá el día de Nochebuena, 24 de Diciembre de 2014, en la Basílica de Palladio, construida en el siglo XVI y declarada Patrimonio Mundial de la Unesco desde 1994. “No es sólo nuestra iniciativa, pero un regalo a Italia, a convertirse en la herencia de todo”, explicó Matteo Marzotto, el presidente de Fiera di Vicenza. El museo, de 500 metros cuadrados, cuidados y dirigidos por el profesor de diseño de joyería en el Politecnico di Milano Alba Cappellieri, fue concebido, financiado y gestionado por la Feria con el patrocinio del Ayuntamiento de Vicenza, y diseñado por Patricia Urquiola: “Somos la última piedra de la restauración de la basílica, que este año cumple 400 años. Hemos creado una planta baja con una librería y una sala de usos múltiples y, arriba, nueve espacios”, dijo el diseñador español. Feria de Vicenza, que cerró 2013 con unos ingresos de más de 31 millones de euros, más de 1 millón de los ingresos netos y el Ebitda en un 15% (“que podría llegar al 20% en 2014”, dijo Marzotto) también presentó los proyectos para el 2015: son 18 eventos, el nuevo formato de feria, VicenzaOro la boutique espectáculo (23/28 de enero y el 5/9 septiembre 2015), la primera edición de VicenzaOro Dubai (23/26 de abril) en una empresa conjunta con el Dubai World Trade Centre y el nuevo HIT evento (14/16 de febrero) dedicado a la caza, tiro y deportes al aire libre.