ponte vecchio

Elena Braccini, jewels and so be it

Religious devotion, tradition, a pinch of the Middle Ages: these are the elements of Elena Braccini’s jewelery ♦ ︎

From architecture to jewelry: it seems that this is one of the most popular streets by designers. And there is a link: architecture takes care of volumes and shapes, communicates aesthetics, also loves functionality. All elements that are found in the proposals of Elena Braccini, a Florentine specialist in Interior Design and with a master’s degree in jewelery at the Sacred Art School of Florence. Take note: the course of study is a clue to the creative world of Elena Braccini.

As shown by the The Real Madonnas and Deep Soul collections.

Anello basculante con immagine della Madonna
Tilting ring with image of the Madonna

The English name of the collections conceals, in reality, the very Italian passion of jewelry linked to tradition, even the religious one that has its roots in the medieval arts. Sacred art and zoomorphic interpretations, symbols: these are the areas that the designer’s jewelery attends.
The jewels are made entirely by hand by Florentine artisans in the historic shops of Ponte Vecchio (the bridge that crosses the river Arno). Gold and silver are characterized by micro-incisions, with stones that become micro-architectures. In addition to the aforementioned The Real Madonnas and Deep Soul collections, Elena Braccini also offers wedding rings and jewels made to order and customizable.

Collana con pietre colorate e croce
Necklace with colored stones and cross

Orecchini con Madonnine e croci
Earrings with Madonnas and crosses

Escapulario, collana scapolare della Vergine del Carmine
Scapular necklace of the Virgin of Carmine
Collana con la Madonna miracolosa di Rue du Bac
Necklace with the miraculous Madonna of Rue du Bac/caption]

[caption id="attachment_98502" align="aligncenter" width="709"]Bracciale con cinque Madonnine i Bracelet with five Madonnas

Anello in oro rosa
Rose gold plated silver ring
Anelli in argento con immagine della Madonna
Silver rings with the image of the Madonna

The Renaissance of Temple St. Clair




The jewels of Temple St. Clair, from Virginia to Florence, passing through the Renaissance and the nature ♦ ︎

From Florence she started over 30 years ago. And in Florence she has just returned, right on the Ponte Vecchio, with her first Italian store. The Temple St. Clair fine jewelery brand, founded in the Tuscan capital in 1986, has arrived in the historic center of the city thanks to a partnership with the Florentine jewelers family Vettori. Born in Virginia (USA), after studying in Switzerland, Temple St. Clair has discovered in the Florentine artisans the ability that is the result of a centuries-old tradition. Thanks to their teaching, the designer founded her company in 1986 in Florence.

Anello in oro 18 carati con pietra luna cabochon
Anello in oro 18 carati con pietra luna cabochon
She loves the Tuscan city: she has a degree in Italian studies at Smith College and a master’s degree in Italian Renaissance literature at Middlebury College. But she also loves nature: for November she decided to donate 20% of revenues of e-commerce sales to the Big Life Foundation in Africa: it’s a non-profit organization dedicated to protecting a vast territory of nature wilderness in East Africa employing hundreds of local Maasai rangers in its anti-poaching programs, among other conservation initiatives.

But besides the ability to work with gold, Temple St. Clair has a particular sensitivity in the use of stones.

Bracciale Sassini in oro 18 carati con tanzanite e rubellite
Bracciale Sassini in oro 18 carati con tanzanite e rubellite

She loves the translucent, elusive colors, like those of the moonstone used in the Silk Road collection. But it also seeks rare gems, such as the Australian black opal Lightening Ridge, Paraiba tourmaline, tsavorite. In 2017, Temple St. Clair was chosen, along with myths such as Louis Comfort Tiffany and Alexander Calder, as the third American designer of jewelry represented in the permanent collection of the Museum of Decorative Arts at the Louvre in Paris. Need to add more?

Orecchini pendenti in oro 18 carati, pietra luna e diamanti
Orecchini pendenti in oro 18 carati, pietra luna e diamanti
Anello in oro, pietra luna, zaffiri, tsavorite, rubini
Anello in oro, pietra luna, zaffiri, tsavorite, rubini
Orecchini in oro con citrino, peridoto, tormalina, berillo giallo, ametista, iolite, rodolite, diamanti
Orecchini in oro con citrino, peridoto, tormalina, berillo giallo, ametista, iolite, rodolite, diamanti
Anello in oro con granato mandarino
Anello in oro con granato mandarino
Collana di alta gioielleria con acquamarina, morganite, berillo, diamanti
Collana di alta gioielleria con acquamarina, morganite, berillo, diamanti

Anello Athena in forma di gufo, in oro 18 carati, tormalina, pietra luna, diamanti, zaffiri, smeraldi
Anello Athena in forma di gufo, in oro 18 carati, tormalina, pietra luna, diamanti, zaffiri, smeraldi







Meini in the sign of Florence





Meini Gioielli, the Florentine goldsmith’s tradition always has its charm ♦ ︎

The story is that of many other artisan realities of jewelery: the young apprentice who learns the secrets of craftsmanship, get to own business, opens his shop and also finds his stylistic way. So is born Meini Gioielli, a Florentine artisan shop. The story begins in 1963, when at the age of 14, Cesare Meini “entered as an apprentice in the artisan workshop Ricci, one of the most famous masters in Florence in the 1960s.”

Anello in filigrana in oro, diamanti, acquamarina
Anello in filigrana in oro, diamanti, acquamarina

The shop is located right in the heart of Florence, near the Ponte Vecchio. Here, Cesare Meini learns the ornamental design, shaping, the art of the drilling and, above all, the engraving. In the sign of the Florentine goldsmith tradition, it accumulates experience until 1971, when he get to be on ufficial register of craftsman and opens a goldsmith workshop in the historic center of Florence. In 1977 the activity was transferred to Rignano sull’Arno, a village near Florence, where the Tuscan goldsmith he still realize their creations, together with their children Leonardo and Lorenzo. Meini’s jewelry remains anchored in Tuscan style and tradition: white and yellow gold, worked, perforated, with floral forms and sometimes precious stones of a certain volume.
Anello in oro giallo, diamanti e smeraldo
Anello in oro giallo, diamanti e smeraldo

Orecchini in oro e diamanti
Orecchini in oro e diamanti
bracciale oro diamanti
Bracciale in filigrana con oro 18 carati e diamanti

Bracciale in oro 18 carati e diamanti
Bracciale in oro 18 carati e diamanti

Anello in oro bianco e giallo 18 carati, diamanti e acquamarina
Anello in oro bianco e giallo 18 carati, diamanti e acquamarina

Anello con filigrana in oro e smeraldo
Anello con filigrana in oro e smeraldo







The triangle by Maria Gaia Piccini




The Florentine designer Maria Gaia Piccini dedicates her jewelery production almost exclusively to the shape of the triangle. And one reason is… ♦ ︎
The triangle is a geometric figure with a mystical aura. Furthermore, it is a small and simple musical instrument. Finally, it is also an unconventional space, because it is far from the concept of symmetry. But these are not the considerations that inspired Maria Gaia Piccini to conceive a series of jewels based almost exclusively on the figure of the triangle, a form not widely used in jewelery.

Pendente in oro giallo lucido
Pendente in oro giallo lucido

And to say that the designer has a history of pure tradition behind her, as she herself explains. Maria Gaia Piccini is a authentic Florentine. Descends from a family with a long tradition in the field of jewelry in Florence, with several shops on the Ponte Vecchio. History that we summarize as follows (on the website of Maria Gaia Piccini is described in greater detail): Alberta Risaliti, mother of the designer’s father, Carlo Piccini, was the daughter of the silversmith Aristodemo Risaliti, owner of a company producing enamel objects, gold and silver located in Via De ‘Bardi, near Ponte Vecchio. Tebaldo Piccini, paternal grandfather, was the son of Pirro Piccini, a famous collector who had worked for the Settepassi family, and was a trusted jeweler of some noble families. Brother Armando was the creator of jewels and some of his works are kept at the Museo degli Argenti at Palazzo Pitti, in Florence. Together with his father Pirro, the two brothers founded the Fratelli Piccini store on the Ponte Vecchio, where it still stands today.
Orecchini a triangolo pieno in oro giallo
Orecchini a triangolo pieno in oro giallo

When Maria Gaia was 19 she met in the shop of her father Madame Mahin Fallah, a Persian noblewoman, a collector of jewels. A friendship was born that, in London, allowed she to know Marina Bulgari, already famous in the world of jewelry. In short, grandmother, Persian noblewoman and designer of the Bulgari family were the tutelary gods of Maria Gaia. They are three and therefore have a link with the concept of a triangle. According to the designer, in fact, the triangle represents the link between past, present and future and also the link with the three “extraordinary women” who encouraged her to found her Maison.

Pendente rotondo con tsavorite
Pendente rotondo con tsavorite
Anello in oro e smalto rosso
Anello in oro e smalto rosso
Pendente in argento smaltato con corallo della Sardegna
Pendente in argento smaltato con corallo della Sardegna
Pendente triangolo e cerchio in oro giallo e diamanti
Pendente triangolo e cerchio in oro giallo e diamanti

Orecchini triangolari a bottone in oro e diamanti
Orecchini triangolari a bottone in oro e diamanti

Ciondolo in oro a forma di ballerina
Ciondolo in oro a forma di ballerina

Orecchini a cerchio in oro bianco
Orecchini a cerchio in oro bianco






The Irises bloom on Ponte Vecchio




Ponte Vecchio Gioielli, a Florentine company that has chosen the name of the famous place in the Tuscan city, was inspired by a flower, Iris, for its collection made of 18-karat gold, diamonds and semi-precious stones such as garnet, citrine, topaz, amethyst. All stones with bright colors, just as the character of the Tuscans is notoriously exuberant. Starting with the founder and current owner of the Maison, Ugo Calà.

Anello in oro bianco e topazio sky
Anello in oro bianco e topazio sky

It is worthwhile to open a parenthesis on a world that no longer exists: the story of the company tells that Ugo Calà was little more than a child when he helped his father in the barber shop, which was located right next to the Ponte Vecchio. Obviously the workshop was frequented by the goldsmiths who worked precisely in the workshops that are located near or right on the famous bridge. Ugo then decided to become an apprentice of one of the most famous jewelers of the Ponte Vecchio. The result is called Ponte Vecchio Gioielli, a goldsmith company that also works on behalf of third parties.
Pendente in oro rosa con diamante, topazio e granato
Pendente in oro rosa con diamante, topazio e granato

The Iris collection is one of the latest creations and is made with the use of dégradé cuts and colors of the stones, which increase the volumetric depth of the jewels and ensure their lightness.
Anello in oro giallo con citrini e diamanti
Anello in oro giallo con citrini e diamanti

Anello in oro rosa con topazio, ametista e diamanti
Anello in oro rosa con topazio, ametista e diamanti
Bracciale in oro rosa con topazio blue London e sky
Bracciale in oro rosa con topazio blue London e sky
Collana girocollo in oro giallo, citrini e diamanti
Collana girocollo in oro giallo, citrini e diamanti
Orecchini in oro rosa con ametista e diamanti
Orecchini in oro rosa con ametista e diamanti

Orecchini in oro rosa con topazio e diamanti
Orecchini in oro rosa con topazio e diamanti







Ponte Vecchio, Nobile job




From barber to jeweler with Ponte Vecchio Gioielli: it’s not a small difference. Especially when designing and producing jewelry become, as happened to Ugo Calà, a successful profession. It begins in the sixties the history of the Ponte Vecchio: a brand that has taken its name from the starting point of this Maison, perhaps the most famous place of the Tuscan cities, where the father of the future jeweler had a barber’s shop.

Girocollo della collezione Noble in oro giallo e diamanti
Girocollo della collezione Noble in oro giallo e diamanti

Where went experts goldsmiths customers with laboratory near the banks of the River Arno. We must add another detail: those goldsmiths were able to work for brands such as Tiffany, Faberge, Cartier, Buccellati. In short, doing the apprentice in their shop was like going to a jewelry universities. Thus began the history of the Ponte Vecchio. That today continues with the same belief: high quality jewelry, also made with refined techniques of production, as in the case of Nobile collection, to which they relate the images. In this case the subject is gold, with a tubogas shape, to be at the center of the collection.
Bracciali della collezione Nobile
Bracciali della collezione Nobile

But sometimes the protagonists are the stones, such as diamonds, citrines, amethysts, aquamarines, tourmalines and the green peridot. In the case of the Noble Collection, also the richness of gold joins the convenience of the process: the jewels are resilient, but also resistant, made of titanium nondeformable soul. The diamonds and, at times, colored stones, give an extra touch to jewelry. Margherita Donato
Orecchini in oro giallo e diamanti della collezione Nobile
Orecchini in oro giallo e diamanti della collezione Nobile

Anello in oro rosa e diamanti della collezione Sirio
Anello in oro rosa e diamanti della collezione Sirio

Bracciale in oro giallo e diamanti della collezione Sirio
Bracciale in oro giallo e diamanti della collezione Sirio

Orecchini in oro giallo e diamanti della collezione Sirio
Orecchini in oro giallo e diamanti della collezione Sirio

Collezione Iris, anello in oro rosa 18 kt con granato, topazio, ametista e diamanti
Collezione Iris, anello in oro rosa 18 kt con granato, topazio, ametista e diamanti

Collezione Iris, orecchini in oro bianco 18 kt con granato, topazio sky e diamanti
Collezione Iris, orecchini in oro bianco 18 kt con granato, topazio sky e diamanti







Las Vegas plays jewelry

Las Vegas is the capital of jewels with Jck Show and Couture: there is also a piece of Italian jewelery industry ♦
In Las Vegas is the time of the Jck Show (5-8 June 2017) at the Mandalay Bay Resort & Casino. It is the largest annual event of the jewelery industry in this part of the world and brings together more than 30,000 industry professionals. It involves jewelry companies, watches, precious stones, equipment, supplies, technology, security and business solutions: over 23,000 retailers present and about 9,400 stores. 23% of attendance comes from outside the United States.
VicenzaOro in Las Vegas
Among the protagonists is VicenzaOro, the format of the Italian Exhibition Group (a fair company which is born by the integration between Rimini Fiera and Fiera di Vicenza), which has brought to the city of Nevada famous for its casinos a hundred Italian jewelery companies. Jck, in fact, is an opportunity for the jewelery and luxury industry. The Italian pavilion is located on the noble floor of the event (Shoreline 2). There are internationally renowned jewelery and jewelery brands including: Biancaspina, Chrisos, Fani Gioielli, Falcinelli, Giorgio Visconti, Hasbani, Karizia, Leo Pizzo, Misis, Novecentonovantanove, Richline and Unoaerre. Next to the exhibition space, there is a stage for the Independent Jewelery Forecasting Observatory and the precious Trendvision Jewelery + Forecasting and the new Trendbook 2018+. From this edition, Trendvision Jewelery + Forecasting also organizes buying trails, workshops for buyers with the aim of supporting them and guiding them to buying in their respective districts of interest.
The Couture
In Las Vegas there is also the Couture, hosted at Wynn Resort, another destination for the jewelry and watch market of luxury. There are over 4,000 buyer tops for over 200 designer and prominent brands such as Bulgari, Bell & Ross, David Yurman, Victor Velyan, Stephen Webster, Sevan Bicakci, or Italians like Qayten, Antonini, Casato, Damiani, Crivelli, Dada Arrigoni, Chantecler, Federica Rettore, Garavelli, Gavello, Gucci, Maria e Luisa, Mariani, Misani, Moraglione, Bernardi, Piero Milano, Picchiotti, Pasquale Bruni, Pomellato, Ponte Vecchio, Repossi, Spallanzani, . Federico Graglia

Stand al Jck Show
Stand al Jck Show

VicenzaOro al Jck
VicenzaOro al Jck




Gioielli con smeraldi esposti al Jck Show
Gioielli con smeraldi esposti al Jck Show
Serata al Jck Show
Serata al Jck Show

Las Vegas, Jck Show
Las Vegas, Jck Show







VicenzaOro, affari di bronzo

Un corridoio non troppo affollato di VicenzaOro Spring 2014
Un corridoio non troppo affollato di VicenzaOro Spring 2014

Opinioni contrastanti. Un po’ di speranza. E tanta incertezza. Le impressioni che gioiellis.com ha raccolto tra i padiglioni di VicenzaOro Spring hanno però un denominatore comune: poca gente rispetto al solito. Perlomeno le prime due giornate sono state vissute dagli operatori con parecchia delusione. Alla fine il bilancio ufficiale è di 17 mila visitatori, in generale.  In particolare, il Salone della gioielleria e oreficeria ha chiuso con 11mila presenze, di cui il 40% stranieri. Origin passion and Beliefs ha attirato invece 6mila presenze e oltre 700 buyer internazionali. Nessuno, tra quelli contattati da gioiellis.com,  ha voglia di parlare male apertamente della Fiera di Vicenza, «ma aver fatto sapere prima che questa sarà l’ultima edizione dell’appuntamento di maggio non ha certo giovato», spiega un orafo del distretto di Arezzo, arrivato qui come tutti gli anni con le migliori aspettative. Premesso che nessuno ha voluto rilasciare interviste con nome e cognome, la maggior parte delle impressioni che abbiamo raccolto in via confidenziale sono simili: poca gente, pochi buyer. Non mancano le eccezioni: «Oggi va così, ma per domani l’agenda è fitta», spiegano nello stand di Chimento. Ma c’è chi la butta in politica, come la rappresentante di un affermato brand vicentino: «È il frutto del cambio al vertice della Fiera: l’ex presidente ha sempre avuto a cuore l’appuntamento di maggio, che per noi è molto importante», confida. Il riferimento è al nuovo corso spinto dal neo presidente, Matteo Marzotto, che ha voluto affiancare a VicenzaOro Spring l’evento Origin: un’abbinata di bijoux, abbigliamento e accessori sotto le insegne del design. Per quanto abbiamo visto con i nostri occhi l’idea non ha attratto schiere di operatori: il padiglione è rimasto a lungo desolatamente deserto (come si vede dalla fotografia). Bisognerà basarsi sui numeri per trarre un bilancio definitivo: più che affari d’oro sono sembrati affari di bronzo. Certo, le impressioni sono aleatorie. Le voci degli espositori, però, no. Federico Graglia 

L'ingresso dell'esposizione
L’ingresso dell’esposizione
Il padiglione che ha ospitato Origin
Il padiglione che ha ospitato Origin
I rarefatti visitatori di Origin
I rarefatti visitatori di Origin
Una delle proposte più interessanti, quella di Ponte Vecchio
Una delle proposte più interessanti, quella di Ponte Vecchio

Matteo-Marzotto

ukVicenzaOro, bronze’s business

Divergent opinions. A little hope. And so much uncertainty. Ours impressions gathered in the halls of VicenzaOro Spring have a common denominator: there were fewer people than usual. At least, the first two days have been feel by operators with a lot of disappointment. No one wants to criticize openly Vicenza Fair, «But know in advance that this will be the last edition of the appointment of May, certainly has not helped», says a goldsmith in the district of Arezzo, who arrived here, as every year, with the best expectations. Whereas no one wanted to give interviews with first and last name, most of the impressions that we have collected in confidence are similar: few people, few buyers. There are exceptions: «Today has gone in this way, but  tomorrow the agenda is full»,  explained at Chimento’s stand. There are also those who throw the thing in politics, as the representative of an established brand Vicenza: «It is the result of the change at the top of the fair: the former president has always had at heart the appointment of May, which for us is very important»,  she confides. The reference is to the new course led by the new president, Matteo Marzotto, who wanted to combine the event VicenzaOro Spring Origin: jewelry, apparel and accessories under the banner of design. As we have seen with our own eyes, the idea has not attracted legions of operators: the pavilion has long been desolate wilderness (as you can see from the photo). Well, you must be based on the numbers to draw a final picture, but more than golden, this business seemed bronze. Sure, the impressions are random. The voices of exhibitors, however, no.

france-flagVicenzaOro, affairs de bronze

Opinions contradictoires. Un peu d’espoir. Et tant d’incertitude. Les impressions recueillies nôtre dans les salles de VicenzaOro printemps ont un dénominateur commun: il y avait moins de monde que d’habitude. Au moins, les deux premiers jours ont été sentir par les opérateurs avec beaucoup de déception. Personne ne veut parler ouvertement du mal de la Foire de Vicenza, «mais savoir avant que ce sera la dernière édition du rendez-vous du mois de mai a certainement pas aidé», dit un orfèvre dans le quartier d’Arezzo, qui est arrivé ici comme chaque année avec les meilleures attentes. Étant donné que personne ne voulait donner des interviews avec nom et prénom, la plupart des impressions que nous avons recueillies dans la confiance sont semblables: peu de gens, peu d’acheteurs. Il ya des exceptions: «Aujourd’hui s’est bien passé, mais pour demain l’ordre du jour est épaisse», ils ont expliqué sur le stand de Chimento. Il ya aussi ceux qui jettent la chose en politique, en tant que représentant d’une marque établie Vicenza: «Il est le résultat du changement au sommet de la foire: l’ancien président a toujours eu à coeur la nomination de mai, qui pour nous, c’est très important», confie t-elle. La référence est le nouveau cours dirigé par le nouveau président, Matteo Marzotto, qui voulait combiner l’événement VicenzaOro printemps Origine: bijoux, vêtements et accessoires sous la bannière de la conception. Comme nous l’avons vu de nos propres yeux, l’idée n’a pas attiré des légions d’opérateurs: le pavillon a longtemps été en désert (comme vous pouvez le voir sur la photo). Ok, vous devez être basé sur les chiffres pour tirer un budget final, mais plus d’une entreprise d’or sembliez bronze. Bien sûr, les impressions sont aléatoires. Les voix des exposants, cependant, aucune.

german-flagVicenzaOro, Bronze Geschäfts

Widersprüchliche Meinungen. Ein wenig Hoffnung. Und so viel Unsicherheit. Die unsere Eindrücke in den Hallen der VicenzaOro Frühling versammelt haben einen gemeinsamen Nenner: Es waren weniger Leute als üblich. Zumindest haben die ersten zwei Tage von den Betreibern mit viel Enttäuschung fühlen worden. Niemand, offen zu schlecht von der Messe Vicenza sprechen will,«aber wissen, dass dies vor der letzten Ausgabe der Ernennung von Mai sicherlich nicht geholfen hat», sagt ein Goldschmied im Bezirk Arezzo, die hier wie in jedem Jahr mit angekommen die besten Erwartungen. Da wollte niemand Interviews mit Vor-und Nachnamen zu geben, die meisten von den Eindrücken, die wir im Vertrauen gesammelt sind ähnlich: nur wenige Menschen, nur wenige Käufer. Es gibt Ausnahmen: «Heute ist gut gelaufen, aber für morgen ist die Agenda dick», erklärte sie am Stand von Chimento. Es gibt auch diejenigen, die die Sache werfen, in der Politik, als Vertreter einer etablierten Marke Vicenza: «Es ist das Ergebnis der Wechsel an der Spitze der Messe: der ehemalige Präsident hatte schon immer am Herzen, die Ernennung von Mai, die für ist uns sehr wichtig», erzählt sie. Die Bezugsgröße ist der neue Kurs des neuen Präsidenten, Matteo Marzotto, der die Veranstaltung VicenzaOro Frühling Herkunft verbinden wollte führte: Schmuck, Bekleidung und Accessoires unter dem Banner des Designs. Wie wir mit unseren eigenen Augen gesehen haben, hat die Idee nicht zogen Legionen der Wirtschaftsteilnehmer: der Pavillon war lange öde Wüste (wie man auf dem Foto sehen kann). Ok, muss man auf die Zahlen, um eine endgültige Budget ziehen basieren, aber mehr als ein goldenes Geschäft schien Bronze. Klar, sind die Eindrücke zufällig. Die Stimmen der Aussteller jedoch nicht.

flag-russiaVicenzaOro, бизнес Бронзовый автора

Противоречивые мнения. Мало надежды. И так много неопределенности. В наши, впечатления, собранные в залах VicenzaOro весны имеют общий знаменатель: было меньше людей, чем обычно. По крайней мере, в первые два дня были чувствовать себя операторами с большим количеством разочарования. Никто не хочет, чтобы открыто говорить плохо о Vicenza Fair, «но знать, прежде чем, что это будет последнее издание назначении мая, конечно, не помогло», говорит ювелир в районе Ареццо, который прибыл сюда как и каждый год с лучшие ожидания. Учитывая, что никто не хотел давать интервью с именем и фамилией, большинство впечатлений, которые мы собрали в уверенности схожи: несколько человек, несколько покупателей. Есть исключения: «Сегодня прошло хорошо, но на завтра в повестку дня толстая», они объяснили на стенде Chimento. Есть также те, кто бросает вещь в политике, как представитель установленной марки Виченца: «Это результат изменения в верхней части ярмарки: бывший президент всегда имел в сердце назначение мая, который для нас очень важно», доверяет ей. Речь идет о новом курсе под руководством нового президента, Маттео Marzotto, который хотел объединить событие VicenzaOro Весна Происхождение: ювелирные изделия, одежду и аксессуары под знаменем дизайна. Как мы видели своими глазами, идея не привлекает легионы операторов: павильон уже давно опустошенная степь (как вы можете видеть на фотографии). Хорошо, вы должны быть основаны на номера, чтобы сделать окончательный бюджет, но больше, чем золотой бизнес, казалось бронза. Конечно, впечатления являются случайными. Голоса участников, однако, нет.

spagna-okVicenzaOro, negocio de bronce

Opiniones contradictorias. Un poco de esperanza. Y tanta incertidumbre. Los nuestros impresiones recogidas en los salones de VicenzaOro primavera tienen un denominador común: había menos gente de lo habitual. Por lo menos, los dos primeros días han sido sentir por los operadores con un montón de decepción. Nadie quiere hablar abiertamente mal de la Feria de Vicenza, «Pero saber antes de que esta será la última edición de la cita de mayo, no ha ayudado», dice un orfebre en el distrito de Arezzo, que llegó aquí como todos los años con las mejores expectativas. Dado que nadie quería dar entrevistas con nombre y apellido, la mayoría de las impresiones que hemos recogido en la confianza son similares: poca gente, pocos compradores. Hay excepciones: «Hoy ha ido bien, pero para mañana la agenda es gruesa», explicaron en el stand de Chimento. Hay también los que tiran la cosa en la política, como el representante de una marca establecida Vicenza: «Es el resultado del cambio en la parte superior de la feria: el ex presidente siempre ha tenido muy presente la cita de mayo, lo que para nosotros es muy importante», confiesa. La referencia es el nuevo curso dirigido por el nuevo presidente, Matteo Marzotto, que quiso combinar el evento VicenzaOro Primavera origen: joyas, ropa y accesorios bajo la bandera del diseño. Como hemos visto con nuestros propios ojos, la idea no ha atraído a legiones de operadores: el pabellón ha sido durante mucho tiempo en desierto y soledad (como se puede ver en la foto). Ok, debe basarse en los números para dibujar un presupuesto final, pero más que un negocio de oro parecía de bronce. Claro, las impresiones son aleatorios. Las voces de los expositores, sin embargo, no.