Elsa Schiaparelli

Myths: the Zip Van Cleef & Arpels




One of the myths in the history of jewelry is the Zip necklace  by Van Cleef & Arpels. Do you know it? Here is a brief history of a milestone in luxury ♦

There are myths that never fade. One of them is the Van Cleef & Arpels Zip necklace. If you don’t know this jewel, read this article and look at the pictures: it is, in fact, one of the milestones of jewelry. It has now turned 84, yet it is still a miracle of the goldsmith’s technique and is still inimitable. Moreover, it also has a noble history: the idea of ​​a jewel in the shape of a zip zipper is attributed to the Duchess of Windsor, Wallis Simpson, American wife of King Edward VIII of England, who abdicated to be able to marry her (she was divorced) . According to this version, in 1938 the Duchess, a great lover of jewelry, suggested the idea of ​​a necklace with a hinge to Renée Puissant, daughter of Alfred Van Cleef and artistic director of the Maison. Undoubtedly an original idea.

Collana-bracciale Zip di Van Cleef & Arpels
Collana-bracciale Zip di Van Cleef & Arpels

Making the necklace that opens with a zip system, however, was not easy. To make a jewel like this in a workmanlike manner, it takes from 400 to 1,200 hours and, above all, a great craftsmanship. To tell the truth, the one created by Van Cleef & Arpels and which became famous was not the first hinge: the designer Elsa Schiaparelli, a high jewelery genius, had thought of it before, but without reaching that level of complexity and luxury.

Windsor
Il duca di Windsor, ex re Edoardo VIII, assieme a Wallis Simpson

In addition to the difficulty in making a jewel that opens and closes, it must be added that there is also another aspect to complicate the creation: the necklace is transformable. The closure, in fact, flows up and down, like the zip of a dress: in this way it allows the necklace to shorten or widen. Not only that, it can be transformed into a bracelet. Zip necklaces are made with different materials: in yellow or white gold, with precious stones, diamonds. They are still one of the Maison’s most fascinating jewels. Alessia Mongrando

Collana Zip, 1951
Collana Zip, 1951
La trasformazione in bracciale
La trasformazione in bracciale
Lavorazione di una collana
Lavorazione di una collana
Schizzi per le collane Zip
Schizzi per le collane Zip
Zip in oro diamanti e rubini del 1954
Zip in oro diamanti e rubini del 1954
Una celebre immagine della duchessa di Windsor firmata da Cecil Beaton
Una celebre immagine della duchessa di Windsor firmata da Cecil Beaton







The colors of Brazil with Sauer 1941

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The colors and tribal culture of Brazil seen through the jewelry with precious stones in Sauer.
Amsterdam Sauer or Sauer 1941 is the Brazilian brand founded in 1939, the Frenchman Jules Roger Sauer, 18, who landed in the Brazilian state of Minas Gerais (we talked about here). Therefore, a tradition that has crossed the finish line of the 75-year history. And it is to celebrate the anniversary which has decided to dedicate a jewelry collection to the tribal traditions of the deep Brazil. The collection is called, in fact, Tribes and uses two elements that characterize this part of the world: the culture of the Indian peoples and the buds that are found in the mines, but also portraits of the Modernist painter Georgia O’Keefe at his ranch in New Mexico.

Anello con rubellite e diamanti
Anello con rubellite e diamanti

As a witness of the collection has been called the actress and model Vera Valdez (she worked with Elsa Schiaparelli, Dior and Coco Chanel), who has five more years of the Maison. She looks good at all despite the wrinkles, bring ostentatious awareness (much better than the botox swelling). Earrings, necklaces, rings and bracelets are yellow gold with tourmalines, topaz, diamond, malaquiti, emeralds, and diamonds and many other precious stones. A lush Brazil, in fact. Alessia Mongrando

Bracciale in oro e diamanti
Bracciale in oro e diamanti
Collana con smeraldo di 7,5 carati, onice e oro bianco
Collana con smeraldo di 7,5 carati, onice e oro bianco
Collana in oro, onice e gemme colorate
Collana in oro, onice e gemme colorate
Anello Crucis in oro giallo, granato, onice
Anello Crucis in oro giallo, granato, onice
Orecchini con opale, acquamarina, rubellite, tanzanite e prasiolite
Orecchini con opale, acquamarina, rubellite, tanzanite e prasiolite
Orecchini in oro di Sauer 1941
Orecchini in oro di Sauer 1941






Schlumberger on exhibition

On exhibition 140 pieces signed by French designer Jean Schlumberger. Here are a few.
If you like the jewels of the great designers you are certainly among the fans of Jean Schlumberger. And if you are fans of Jean Schlumberger you might have a desire to visit an exhibition dedicated to this jewelry designer, but not only, which brings together 140 pieces of this master of the precious world. Provided you go to Virginia, United States, halfway between New York and Florida. The Virginia Museum of Fine Arts in Richmond, in fact, organized this exposure dedicated to Jean Schlumberger. The designer began his career in 1930, working for Elsa Schiaparelli in Paris. In New York, in 1950, Schlumberger has then become designer of Tiffany jewelry. It is known for imaginative interpretations of animals and botanical subjects: some of his pieces have made the history of jewelry. But not only: he also designed the door cigarettes, candlesticks or boxes for pills. Many of his pieces have been collected in the Rachel Lambert Mellon collection and are now on display in the exhibition. Rachel’s husband, who died in 2014, Paul Mellon, has donated a number of pieces to the museum, which now holds the largest and most comprehensive public collection of jewelry and art objects created by the French designer. Federico Graglia

Jasmine, collana di Jean Schlumberger del 1966
Jasmine, collana di Jean Schlumberger del 1966
Gli uccelli, 1964. Oro, smalto, lacca, rubini, turchesi
Gli uccelli, 1964. Oro, smalto, lacca, rubini, turchesi
Girasole, centrotavola
Girasole, centrotavola
Jellyfish (La Meduse). Spilla del 1967 per Tiffany. Oro 18 carati, platino, pietra di luna, diamante, zaffiro. Virginia Museum of Fine Arts, Paul Mellon
Jellyfish (La Meduse). Spilla del 1967 per Tiffany. Oro 18 carati, platino, pietra di luna, diamante, zaffiro. Virginia Museum of Fine Arts, Paul Mellon
Bracciale con farfalle. Oro, diamanti e pietre
Bracciale con farfalle. Oro, diamanti e pietre
Obelisco, centrotavola
Obelisco, centrotavola
Bracciali con smalto, oro e pietre
Bracciali con smalto, oro e pietre

Curio(us) Bijoux online

If you love US, haute couture and handicraft vintage bijoux, Curio is the right web address. This is the first and unique online auction house in Italy specialized in this sector. Founded in Florence by Laura Patrizia Barbieri, a jewelry expert, that involved because of her competence in signed accessories Flora Rovigo, every year organizes six auctions. The first appointment of 2015 will be held on the website www.curiofirenze.com from 10 to 17 March with the auction, Bijoux and Fashion Jewelery, which features a selection of pieces from the Fifties and Sixties signed by Elsa Schiaparelli and Trifari, eighties and ninety custom jewellery of Gianfranco Ferré, Gianmarco Venturi and Salvatore Ferragamo. Afterwards, from 17 to 24 March, the Jewels of the twentieth century auction, with creations of Bulgari and Cartier and other less known designers, but of great quality. For those who do not want to wait or want to discover the taste of the two experts, there is a section Shop online, an e-commerce of jewelry and bjoux with very interesting prices. To which shoud be added the auctioneer fees, who receives on the Lungarno for valuations. M.d.B.

Asta Shop, parure Sarah Coventry. Prezzo: 50 euro
Asta Shop, parure Sarah Coventry. Prezzo: 50 euro
Spilla anni Sessanta in oro giallo, bianco, zaffiri, perle scaramazze e diamanti. Stima: 5-6 mila euro
Spilla anni Sessanta
in oro giallo, bianco, zaffiri, perle scaramazze e diamanti. Stima: 5-6 mila euro
Collier un insieme di piccole maglie concentriche intrecciate fra loro, di varie dimensioni e mosse, impreziosite da brillanti e riunite al centro da un brillante da cui parte una lunga parte pendente anch’essa con brillanti, diamanti
Collier, anni Sessanta
In oro bianco e diamanti. Stima: 15-18 mila euro