Claudia Piaserico

Young people like working in the goldsmith sector, but…




Those who are young and are thinking of a job for the future would do well not to underestimate the world of jewelery and goldsmithing. In a world where companies often struggle to identify the right skills for their business, working with gold and gems offers many possibilities. But supply and demand do not meet. A survey conducted by Skuola.net on 3,000 middle and high school students, and commented by Federorafi, the Italian association of sector operators, also indicates that producing jewelery also seems to be interesting for young people: 28% of middle and high school evaluates a possible inclusion in this area. Yet many companies, especially large ones like Damiani or Bulgari, carry out training activities precisely because it is difficult to find young people with the necessary skills.

Lavorazione artigianale di gioielli d'oro
Lavorazione artigianale di gioielli d’oro

Also according to the survey, the interest is greater among students of technical (52%) and professional (40%) institutes. Males seem to be significantly more interested than females. Most would prefer a job in the conception and design phase (64%), followed by those who would like to physically produce the objects (22%), closing those attracted by the marketing and sales part (14%). However, interest in a job in a goldsmith company decreases for high school students: only 13% foresee a placement in this production segment. But those in favor in middle school are 24%.
Lavorazione di un cammeo
Lavorazione di un cammeo

The survey we conducted confirms our concerns and the need to promote goldsmith professionalism among young people who still have little knowledge of the relevant opportunities that the sector offers, above all for all possible skills: those who are skilled in manual skills, to those who are more creative or passionate about information technology, 3D printing technology or new tools connected to social networks, marketing and the circular economy. There are schools for the profession and they are located not only in the main goldsmith districts. For this reason, with my presidency we are working to bring students closer to a sector that is modern, in step with the times and that needs new talent to consolidate its global leadership.
Claudia Piaserico, president of Confindustria Federorafi

Claudia Piaserico
Claudia Piaserico

However, this interest clashes with rather vague ideas: only one out of ten young people knows the job prospects of the gold sector and knows that the job prospects offered by the world of jewels are high, given that companies have difficulty finding workers. On the contrary, 32% of respondents believe that it is difficult to find job opportunities in this sector and most (58%) imagine that it follows the general trend of the labor market. Other disinformation: only one in four knows that Italy is among the world’s reference nations for the jewelery industry and almost one in five, on the contrary, thinks that it is not such an important sector for our economy.
Perhaps companies could commit to informing a little more.
Disegno Cad di un gioiello
Disegno Cad di un gioiello

Lavorazione di gioielli Zancan
Lavorazione di gioielli Zancan
Progettazione di un gioiello
Progettazione di un gioiello







The truth about synthetic diamonds according to Assogemme




Are diamonds produced with sophisticated machines the same as those that are millions of years old and extracted from the depths of the Earth? Is it right to modestly define the diamonds created by a company with the term “grown in the laboratory“, as if they were greenhouse tomatoes that you buy at the supermarket? And, again, to what extent are diamonds created with an industrial process environmentally friendly? All questions that should be asked more often by those who want to buy a diamond jewel (the same goes for other gems). Each choice has pros and cons but, probably, it is a stretch to identify diamonds resulting from complicated technological procedures (which require a lot of energy) as green gems. Even if few know it.

Il talk a Vicenzaoro. Da sinistra: Marco Carniello, direttore della divisione Jewellery & Fashion Italian Exhibition Group, Guido Damiani Grassi, presidente del Gruppo Damiani, Raffaele Ciardulli, consulente del lusso e Paolo Cesari, presidente di Assogemme e di Futurgem, Claudia Piaserico, presidente di Federorafi
Il talk a Vicenzaoro. Da sinistra: Marco Carniello, direttore della divisione Jewellery & Fashion Italian Exhibition Group, Guido Damiani Grassi, presidente del Gruppo Damiani, Raffaele Ciardulli, consulente del lusso e Paolo Cesari, presidente di Assogemme e di Futurgem, Claudia Piaserico, presidente di Federorafi

That natural and true are synonymous with authenticity, also desirable when choosing a precious object destined to represent our emotions of greatest value such as love, gratitude, celebration of a success, is certainly a personal opinion, but I believe it is widely acceptable. . It is above all by starting from the use of clear and shared terminology that it is possible to correctly describe the world of diamonds to its customers. The commitment of manufacturing companies, industry professionals and trade associations already active in this regard must be increasingly oriented in this direction. Only in this way can we talk about the ethics of natural diamonds.
Guido Damiani, president of the Damiani Group and of the Assogemme Ethics Committee

Guido Damiani
Guido Damiani

An opportunity to deepen the topic was given to Vicenzaoro by the comparison organized by Assogemme, the Italian national organization that represents the companies that embrace the jewelery supply chain, made up of the main operators in the field of colored gems, precious stones , semiprecious and hard, diamonds and corals. Objective: to clarify a concept that seems trivial, but that marketing operations have helped to confuse. In other words, there is a difference between what is the result of nature, or more precisely, the contribution of powerful geological upheavals, from what is the result of a technical procedure, as if it were a smartphone. Even if the composition of the two stones, natural and laboratory, is identical from a chemical point of view.
Controllo del reattore al plasma CVD che produce diamanti ​​in laboratorio
Controllo del reattore al plasma CVD che produce diamanti ​​in laboratorio di De Beers

Guido Damiani, for example, pointed out that it is wrong to consider the production of synthetic diamonds as ecologically sustainable. If only large amounts of energy are needed to produce diamonds. And most of these gems are produced in China, where most of the electricity is obtained from polluting coal-fired plants. Of course, the mines are not a pleasant place and natural oases. But, given that for years they have come under the lens of the media, they have adopted measures to contain environmental damage and respect for the protection of those who work. Among other things, in many countries the gem mines are a source of livelihood for local populations.

Also in the meeting organized by Assogemme another aspect emerged that should not be underestimated. While a natural diamond is a safe haven asset, that is, it has a value that is preserved over time (albeit with variations, as for gold), a synthetic gem is an artificial product that is destined to lose economic appeal, also because quantities are produced. always increasing.

Un diamante grezzo emerge dal reattore al plasma CVD
Un diamante grezzo emerge dal reattore al plasma CVD

Having said all this, what is the solution? It seems obvious: to inform more and better those who want to buy a diamond jewel. Knowing can help you make an informed choice, as Claudia Piaserico, president of Federorafi, argues. Also because the boom in so-called lab grown diamonds, supported by lower prices than natural gems and the misunderstanding that they are more environmentally friendly, has created uncertainty. If we then add that the company that identifies itself with the diamond, De Beers, also produces synthetic gems, the confusion is complete. For this Federorafi, presses on the European Federation of Jewelery, with the aim of obtaining clearer rules, perhaps with an EU law. It would be precious, it must be said.

Synthesis diamond con taglio a pera
Synthesis diamond con taglio a pera, pietra creata in laboratorio







Misis on Olympus

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Artemis collection by Misis, in gold-plated silver, enamel and zircons ♦ ︎

In Greek mythology it is the goddess of hunting, wild animals, archery. But also of forests and fields, of female initiations, protector of virginity and modesty. Artemis, daughter of Zeus and Latona, twin sister of Apollo, is one of the most ancient deities of mythology, also because it represents such different and central aspects of life in antiquity.

But Artemide is also a collection of Misis, a Venetian brand specialized in gold-plated silver jewelery.

Anello della collezione Artemide
Anello della collezione Artemide

The jewels in this collection are made of gold-plated silver, white zircons, black enamel, or onyx and an orange natural shell. Prices: from 75 to 260 euros. The company, founded by Bruno Piaserico and now led by his son Alberto, while the design is entrusted to his sister Claudia. has focused heavily on foreign markets, including Russia, China (where it has five single-brand stores) and Asian countries. Like the ancient Venetians on the Silk Road, Misis has also set out the mission of making her style known in countries where growth is greater and there is demand for beautiful things.
One of the special aspects of Misis is that it has brought together its collections in four broad lines: Water, Air, Earth and Fire. The Artemide collection, for example, is part of the Terra line. Giulia Netrese




Collana in argento placcato oror 18 carati, zirconi bianchi, smalto nero, onice, conchiglia naturale
Collana in argento placcato oror 18 carati, zirconi bianchi, smalto nero, onice, conchiglia naturale

Bracciale in argento placcato oro
Bracciale in argento placcato oro
Misis, collana in argento placcato oror 18 carati, zirconi bianchi, smalto nero, onice, conchiglia naturale
Misis, collana in argento placcato oror 18 carati, zirconi bianchi, smalto nero, onice, conchiglia naturale
Orecchini in argento placcato oror 18 carati, zirconi bianchi, smalto nero, conchiglia naturale
Orecchini in argento placcato oror 18 carati, zirconi bianchi, smalto nero, conchiglia naturale

Orecchini della collezione Artemide
Orecchini della collezione Artemide