moro

Sicily and Liberty with Franco Pavilion Jewels





Sicilian jewelry. But with an international spirit. The long history of Franco Padiglione Gioielli, which is based in Palermo, sums up the character of the Italian region, which has a history intertwined with different cultures: Roman, Arab, Norman, Spanish. A mix that is also reflected in the aesthetics of those who create. In the case of Franco Padiglione Gioielli, for example, the historical legacy becomes the Moor’s Heads, brooches that are part of popular culture and recall the period of Arab domination (from 827 to 1091). But not only. The Sicilian brand also reinterprets the Liberty style, including dragonflies, butterflies, small bees and flies in the form of earrings and brooches. And there is no shortage of coral jewelry, another specialty of Sicilian jewelry.

La spilla Testa di Moro
La spilla Testa di Moro

The Maison also has a long history, which is approaching the century. The business was started in 1925 by Giuseppe Padiglione and continued by his son Francesco. Although the debut of the artisan workshop took place in Naples. The laboratory in Palermo has been active, however, since 1958, where Franco Padiglione makes use of the goldsmith skills he has learned. Since the 1980s, the company has been run by the heir of the family tradition, Franco.

Orecchini in oro 18 carati, zaffiri, perle australiane e brillanti
Orecchini in oro 18 carati, zaffiri, perle australiane e brillanti
Orecchini in oro giallo, jolite, acquamarina, brillanti, gocce in quarzo blu
Orecchini in oro giallo, jolite, acquamarina, brillanti, gocce in quarzo blu
Orecchini Moschine in oro giallo 18 carati, tormaline cabochon, diamanti taglio brillante
Orecchini Moschine in oro giallo 18 carati, tormaline cabochon, diamanti taglio brillante
Spilla in oro 18 carati, con opale, corallo, ametiste e diamanti taglio brillante
Spilla in oro 18 carati, con opale, corallo, ametiste e diamanti taglio brillante
Anello in oro 18 carati, brillanti, acquamarina
Anello in oro 18 carati, brillanti, acquamarina

Anello in oro giallo e bianco, diamanti taglio brillante
Anello in oro giallo e bianco, diamanti taglio brillante







The brooch of the scandal is Italian





The pin with the Moor of Venice, which has caused scandal at Buckingham Palace, is Italian. But it is not racist. Here is the story ♦ ︎
It’s all a misunderstanding. The brooch that has sent Buckingham Palace into crisis was made by an Italian jeweler, but does not have a racist vocation. When, before Christmas, Marie Christine von Reibnitz, princess of Kent married to Michael, the first cousin of Queen Elizabeth, showed up at the royal palace for lunch wearing a brooch that depicted a Moor, she did not think she would raised a controversy over the usual social media. The brooch, however, had a strong impact, because it was linked to the fact that Prince Harry’s official girlfriend, Meghan Markle, has a black-skinned mother. In short, it would have been a provocation.
Then the official apologies arrived: a spokeswoman for the princess said, later, that Marie Christine von Reibnitz was “very sorry and distressed for causing an offense”. And that, on the other hand, had worn the brooch many times without anyone having anything to say. Although, in truth, the same princess had in the past committed some gaffe that had been emphasized by the newspapers.
One fact remains: the brooch with the blackamoor is a racist symbol? Nardi, the Italian jeweler who made the jewel, and many others of the same kind, explains that this is not the case. The Moretto is a traditional figure of the Renaissance in Venice, so much so that William Shakespeare also uses a black-skinned man, Othello, for one of the most famous tragedies set in a Venetian colony, as was at that time Cyprus. The image of the Moor is recurrent in the works of art and jewelery of 18th-century Venice. And many tourists buy this classic image of the history of Venetian art without any racist intention.
Nardi has a shop in Piazza San Marco, is a traditional family business and produces jewelry from the late twenties. «The brooch belongs to the Renaissance collection», the jeweler explained. And it has no discriminatory meaning, but if anything it is an icon that belongs to a historical period. Perhaps, in short, the real scandal is the ignorance of history and art. Rudy Serra




Marie Christine von Reibnitz, principessa del Kent, con la spilla di Nardi
Marie Christine von Reibnitz, principessa del Kent, con la spilla di Nardi
Nardi, pendente con rubini e diamanti
Nardi, pendente con rubini e diamanti
Spilla Moretto con diamanti
Spilla Moretto con diamanti
Spilla in oro, argento, zaffiri, rubini e perle
Spilla in oro, argento, zaffiri, rubini e perle
Spilla in oro con zaffiri gialli e arancio
Spilla in oro con zaffiri gialli e arancio
Spilla Moretto in oro e argento con zaffiri neri e diamanti fancy
Spilla Moretto in oro e argento con zaffiri neri e diamanti fancy

Spilla Moro di Venezia in oro e zaffiri rosa
Spilla Moro di Venezia in oro e zaffiri rosa